Having seen “Kompilasi: A survey of contemporary Indonesian art” at Bus I would have to conclude that contemporary art in Indonesia includes a lot of performance elements. Having missed the opening of the exhibition I was mostly looking at the ghosts of the performances in the galleries, ghosts captured in photographs and videos.
The star of the show is Jompet Kuswidananto’s “Java – the ghost warrior”, a video installation. It is instantly engaging and entrancing, the slow motion dancer on the video and the figure made from empty helmet, drum and boots. And then I realized that Jompet has done something amazing; the ghostly drummer beats his drum in time with the video. Having made such an impressive impact I was well prepared to meditate on Jompet’s post-colonial themes.
Attending artist Tintin Wulia’s wall painting map “Terra Incognito etcetera” was the remains of a performance, with its trays of flags and wine glasses with dried paint. Bambang ‘Toko’ Witjksono’s installation and performance “Future House” felt as ghostly as an empty real estate office in a new suburb. The table of colour printed and die-cut cardboard box houses looked like McHappy Meal boxes.
Angki Purbandono’s “Anonymous project” and “The Indonesian Wedding Photo Ritual” looks at the ordinary performance of ordinary people in photographs, like wedding photographs. Angki Purbandono playfully examines the structure of Indonesian pre-wedding, during wedding and post-wedding photographs. The inclusion of a mock Gilbert and George performance in “The Indonesian Wedding Photo Ritual” series is more insightful than a simple homage.
The Taring Padi collective have 2 large woodblock prints on canvas banners in the exhibition. In 2002 I first encountered the art of Taring Padi in a small exhibition of posters, publications, banners and videos of their performance at Irene Warehouse in Brunswick. At that time the Taring Padi collective had been working for 4 years, now they are over 10 years old. 10 years later Taring Padi’s people art style is still recognizable and is even more intense.
Curators Kritis Monfries, Tim O’Donoghue and Georgie Sedgwick have made an excellent selection of contemporary Indonesian art. The exhibition fills the whole of Bus gallery including the stairs and in a painting on the front wall of the gallery. The selection of contemporary Indonesian art is fun and engaging without any loss of serious content. Not having a lot of knowledge of contemporary Indonesian art I don’t know if “Kompilasi” is representative survey but it is a good exhibition.