Calling out around the world, are you ready for a brand new beat,
Coz summers here and the time is right for painting in the street.
(Apologies to Marvin Gaye/William “Mickey” Stevenson/Ivy Hunter)
Of course the list of cities where they are painting in the street is a bit longer than a few cities in the USA. Is there city in the world where there isn’t graffiti or street art? It would have to be the most repressive of police states and probably affluent without slums or other areas of neglect (e.g. empty factories). Nor could there be any indigenous tradition of wall painting. It is not Singapore, Iran or even the Vatican City (where there is both ancient and modern graffiti). In Tahiti there is Kreative Concept, l’association graffiti de Tahiti, representing Tahitian street artists. The site is in French (try Google translate) but has lots of photos as you might expect that require no translation. Requiring no translation is Cebu Street Art, from Cebu City in the Philippines. Of course we can just forget about war torn states like Somalia where a Canadian soldier reports “graffiti on everything”. I don’t know where there isn’t graffiti and I wouldn’t bet a dollar that any city in the world was graffiti free now.
As I explored the wide world of graffiti and street art I thought that I would to find more regional differences in this the most international of all art movements but there isn’t anything as obvious as that. The internet has made street art influences global even the cultural divisions of languages and alphabets is not significant in street art. The domination of English language in street art is surprising; even some francophone artists use English. It is disappointing that there aren’t more local references evident in global street art. Surely somewhere in the world traditional wall painting has merged with contemporary street art?
I have been reading, or rather looking at because it is ≈98% photographs, Nicholas Ganz Graffiti World – new edition (Thames & Hudson, 2009). I’m glad that I borrowed it from the library rather than buying it. Artists from the Americas and Europe occupy most of the book so the title is misleading. Although it mostly photographs with very short pieces of information about the artist and it does provide some small overviews of street art in various countries. For example, that Eastern bloc countries were late in developing a street art scene because of government bans on the sale of aerosol spray cans. And Nicholas Ganz reports that the first pieces have gone up in Burma and North Korea (p.374) addressing the question that I raised at the start. There are a few parochial features mentioned in Graffiti World like drawing on rail cars in oil chalk in Canada or the strategies of the some street artists from Brazil. I haven’t been able to compare it to the old edition (2004) but the list of Australian and Singaporean artists appears to have not been greatly revised in this new edition.