Two current exhibitions one dark and the other light.
RMIT First Site Gallery describes this exhibition as “probably the darkest show we have ever had…” on their Facebook page. The trio of exhibitions at First Site are dark as in obscured rather than dark subject matter; obscured by lacunas, palimpsests and dark spaces. Lacunas and palimpsests were popular subjects at the height of post-modern in nineties because they referred to areas of uncertain and indeterminate meaning.
Eugenia Raftopoulos, Some things last a long time is a series of uncanny and subdued oil paintings that often featuring lacuna, a missing section, a hole in the illusion of the painting. Nicholas McGintity, Parallel, a 47 sec video loop features palimpsests, crossed out black and white pornographic images, shown sideways, out of focus and otherwise obscured as they rapidly click through the loop like a demented slide show.
Wilson Yeung, Trace, features 31 boxes with pinhole photographs using a monotype transfer process. In the darkness of the gallery, the blurry images of the faces are almost unrecognisable as the images in the back lit boxes pulse from light to dark.
No Vacancy’s exhibition Look Mum! couldn’t be more different, it is light like a child’s drawings on the fridge. Look Mum! is a group show featuring eight Melbourne-based illustrators: Eveline Tarunadjaja, Sean Morris, Fiona Lee, Gnashing Teeth, Stevie D, Sass Cocker, Jeremy Ley and Jospeh Keena. Each of the illustrators are showing their mature work next to drawings and toys from their childhood displayed on fridges, just as they were in childhood. Each of the fridges has the artist’s name displayed on it in magnetic letters. Beside each fridge there is a shelf of toys and other memorabilia from the artist’s childhood. The gallery has a domestic feel with a lounge area and a table with paper and crayons for doing your own drawings. It is a great look for an exhibition about illustration and I don’t know why I haven’t seen it before.