Tag Archives: street art sculpture

Street Art Sculpture 5

I walk up Hosier Lane, Hosier Lane no longer has the best street art and graffiti in Melbourne but it has become a traditional place to make your mark, and I finally see what I’ve been looking for a piece of low relief by Discarded. Discarded is a new street art sculptor working around Melbourne, creating lyrical surreal collages from ceramic casts of discarded objects.

Discarded, Hosier Lane, 2015

Discarded, Hosier Lane, 2015

While I was in Hosier Lane I chanced upon another work of street art sculpture, Soul Mates, with a corny, folksy aesthetic.

Unknown, Soul Mates, Hosier Lane, 2015

Unknown, Soul Mates, Hosier Lane, 2015

Every year or so I have posted something about street art sculptures, installations, what ever you want to call them because contemporary three dimensional art is very diverse from performance to traditional materials. This my fifth blog post on the subject, hence the title. I have written about street art sculptures in the final chapter of my book on the public sculptures of Melbourne, for these are public sculptures, even if they are unauthorised. Not that street art sculptures are the final word in public sculpture but they are the most recent new development.

Here are some more photos of street art sculpture that I have seen. Some of these you might have already seen from earlier posts but it is good to bring them all together.

Mutant, Little Lonsdale St, 2015

Mutant, Little Lonsdale St, 2015

A surreal low relief piece by Mutant. I thought that Discarded might be working under another tag but I checked and it is not. Mutant and Discarded appear to be an example of convergent evolution in art.

D*face, Collingwood, c.2011

D*face, Collingwood, c.2011

Old can from D*face when visited Melbourne in 2011

Will Coles, Suitcan, 2015

Will Coles, Suitcan, 2015

New cans by Will Coles on his most recent to visit to Melbourne earlier this year.

unknown, Hand on pole, Brunswick c.2014

unknown, Hand on pole, Brunswick c.2014

A hand in Brunswick by an unknown artist. I thought might be by Van Rudd because he has done cast arm on another occasion but he confirmed that it was not his work. If you know who the artist is then please let me know.

unknown, Minuature Door Chealsea NYC, 2013

unknown, Minuature Door Chealsea NYC, 2013

A little door in Chelsea NYC.

See also:

10 Great Street Installation 2014

Street Art Sculpture III 2012

More Street Art Sculpture 2010

Street Art Sculpture 2009

Junky Projects, Presgrave Place, 2014

Daniel Lynch, Junky Projects, Presgrave Place, 2014

Melbourne’s Diverse Street Art

Walking around Melbourne exploring its many lanes, sometimes in the company of a notable, some would say notorious, street artist who would prefer to remain anonymous and keep his comments off the record. Thanks for the company. What follows are my photos, my comments and my opinions. The selection of photos is not my pick of the best street art that I’ve recently seen but to the diversity, both geographic, technique and materials, of Melbourne’s street art.

Deb, Uniacke Court, Melbourne

Deb, Uniacke Court, Melbourne

None of these photos are from the old locations, Hosier Lane, Centre Place, they are no longer the best place to see street art in the city. The locations for good street art have shifted in the eight years that I have been writing this blog, slowly moving north and west. In the west of the city where the street art is scare I found a whole lane, Uniacke Court, with several pieces by Deb and no-one else.

Sunfigo stickers

Sunfigo stickers

All over the city I keep on seeing more and more of the work of Sunfigo, simple and effective stickers and paste-ups but nothing to compare to Sunfigo’s Little Diver Tribute.

Anonymoose, Blender Alley

Anonymoose, Blender Alley

If you love stencils the best place to see them is Blender Alley. The reason is that the main door to Blender Studios, its roller doors were open when I was there, faces the alley and the artist’s in the studio, especially its director, Doyle, basically curate the alley.



I keep seeing more street art sculpture and, not just Will Coles and Junky Projects, more people are doing it. Mutant and Discarded are doing similar work casting bones and other found objects. So far I have only seen Discarded’s work online but I know that it is out there.

LaPok, Guerilla Garden Melbourne

LaPok, Guerilla Garden Melbourne

Unknown, Ilham Lane

Unknown, Ilham Lane

I’ve seen a few more artistic works of guerrilla gardening in the city and Ilham Lane in Brunswick. Also in Ilham Lane there is a piece of guerrilla geography, naming the small side bunch from Ilham Lane, Chook Lane.

Chook Lane, Brunswick

And there is still basic graffiti out there.


Ten Great Street Installations

I have love street installations. I write about street art installation in my book on Melbourne’s public sculpture because street installations, although not officially sanctioned, are still seen by the public.

Junky Projects, All Your Walls, 2013 (2)

The new Junky Projects that is part of All Your Walls in Hosier Lane is the largest that I have yet seen on the streets, becoming more abstract in his compositions. It a Dadaists/Futurists.

Pop Cap, All Your Walls, 2013

The Lego men in also All Your Walls by Pop Cap.

Will Coles, Nothingness

Will Coles, Nothingness, does anyone notice if a pigeon dies?


Photograph that Psalm sent to me, this urban Rainbow is some of some of his fine work. Showing that he can do installations and other street art.


Another photograph by Psalm of his work, Drain, its an old gag but worth doing well.

GT Sewell, Clown Serpent, 2013 (2 Blender Alley)

A great serpent clown by GT in Blender Lane.

Tea pot CBD

Yarn bombing referring back to the tea-cosy. Is yarn bombing trying to make the city more cosy?

Les Futo's spiral of lighters

A temporary installation; Les Futo’s great spiral of used lighters, presented at the Brunswick Festival in 2008.

Buckets in AC:DC lane

Can fling-up be art? In 2009 these buckets appeared in AC/DC Lane.

B1 Crucified, Brunswick

B1 Crucified in Brunswick in 2013. Is this a reference to cuts to the ABC?

Concrete Stuff

Will Coles “I Fucking <3 Melbourne” at Dark Horse Experiment; Coles is being ironic with the title of the exhibition – he is based in Sydney. And Coles’s exhibition has a cement mixer sized load of irony.

I have to declare a conflict of interests in writing about Coles’s exhibition because Catherine and I bought two of his small works at the exhibition. Coles cast concrete objects made me laugh (really), it made me cry (not really, but there was some sentimentality in some of the works) and it made want to buy. It made a lot of people want to buy; there was a queue of buyers at the desk. Will Coles was also giving away 40 prints to the early birds along with 1 trillion dollar bills with a portrait of him smoking a cigar, so lots of people at the exhibition were going home with some of his art.

Will Coles "Might Is Right" and small works

Will Coles “Might Is Right” and small works

As this was Will Coles’s first exhibition in Melbourne it was a bit of a mini retrospective with a sample of his well known works from the crushed cans to the TV sets. The small work, the cans, phones, remote controls, etc. were grouped around “Might is Right”, a large gold Buddha holding a gold Kalashnikov. The “Memorial to the Unknown Armchair General”, an armchair and pouffe cast in concrete, provided another focal point. His gallery editions are cast various colours of resin and cement. I hadn’t seen Coles culture jamming prints before but although competent and ironically funny, they aren’t as good as his sculpture.

Memorial to the Unknown Armchair General

Memorial to the Unknown Armchair General

You can read my article about Will Coles in Trouble magazine about Coles work in relation to Jasper Johns and the history of sculpture. For more images see Land of SunshineWill Coles Hits Melbourne”. And there are still more of Coles works to find on the streets of the Melbourne.

Will Coles Crushed Can on Melbourne street.

Will Coles Crushed Can on Melbourne street.

Will Coles mask in Rutledge Lane

Will Coles mask in Rutledge Lane

Sweet Streets

This is not the insides story of the Melbourne Stencil Festival 2009, I haven’t got time for that, not with the Sweet Streets festival about to start. But briefly, after the entire previous committee resigned and imploded the Melbourne Stencil Festival 2009 was run by a small emergency committee that included Phil Hall, Tessa Yee, Anna Briers and myself.  We put the festival together in three months with almost no budget and only in-kind support from sponsors. It needs to be said to dispel any idea that it was being run by paid administers in an office with lots of sponsorship dollars. After managing to put together a festival last year the new committee became even more ambitious for the 2010 festival.

This year the festival is called Sweet Streets and it is bigger and better than in previous years. It is now a real arts festival with a program of events and multiple exhibitions with multiple curators in several locations in Melbourne, Fitzroy, Collingwood and Abbotsford.

There was an obvious need to re-brand and redefine the Melbourne Stencil Festival this year to include more than just stencil art. The festival’s initial focus on stencil art came in 2004 at a time in Melbourne when stencil art was very popular and there were a lot of stencil art on the street. Since then street art in Melbourne has expanded, new techniques and ideas have come along like yarn bombing and street sculpture. So the Melbourne Stencil Festival became Sweet Streets – a festival of urban & street art. The use of the subtitle “urban & street art” was used to sidestep the debate about street art in the gallery (see my entry about this debate).

Fortunately this year we have had a lot longer to plan and more than just an emergency committee and a few volunteers to help put it together – we had a few more volunteers. And we could do with a few more. We still don’t have an office and we still don’t have any sponsorship dollars, just generous in kind support.

My role as the secretary for the festival is not the most glamorous of jobs – lots of emails, typing minutes of meetings, organizing meetings, finding meeting venues and other mundane or bureaucratic matters. On a more interesting note I have been organizing a night of short films at the festival hub, 1000 Pound Bend, 361 Ltl. Londsdale St. on Thursday 14th October. There have been so many documentaries made or are currently being about Melbourne’s street art scene. My selection of films is aimed at showing the diversity of approaches and voices.

Melbourne Stencil Festival Inc. presents

Sweet Streets – A festival of urban + street styles

8th to the 24th October 2010

Follow the Sweet Streets festival on Facebook.

Cultures @ Brood Box

Wandering around the laneways west of Elizabeth St. has not been a regular feature of my exploration of Melbourne’s art galleries and street art. After all most of the art galleries are east of Elizabeth St. along Flinders Lane as are most of the laneways containing street art, or so I thought.

I was looking for Brood Box, a new gallery on Rankins Lane, “off Lt Bourke Street between Queen and Elizabeth Streets”, which narrowed it down to a couple of laneways. At first I thought that Brood Box, might have been a renamed Mahoneys Gallery, but I found that Mahoneys had become a framing service in the corner of another restaurant that fill these laneways. A strange combination – the meal was so good that I think I’ll have it framed.

There are other galleries and art dealers in the area but most are by appointment only. In Warburton Lane I saw there is a new gallery space but again by appointment only.

Paste-ups by Miso

On my walk I also saw a lot of street art, paste-ups by Miso and others, aerosol art by the Everfresh crew and others, and lots of street art sculpture. (See my entry on Street Art Sculpture.)

Rankins Lane has enough street art to draw attention to it. Brood Box is a big space with a trailer parked inside selling coffee and cakes, combining an art gallery with a coffee shop. The coffee-trailer has been painted by the ubiquitous Drew Funk. There are tables and chairs but also enough wall space for a contemporary art gallery. I was looking for Brood Box because Joseph Flynn was exhibiting. I had interviewed Joe for my entry on Fine Art Education and I wanted to see how his career was progressing with this exhibition.

Joseph Flynn’s exhibition, “Cultures” is two series of drawings on large sheets of paper. I found my self steeping back across the laneway and looking through the entrance of Brood Box to get far enough back to taken in one of the drawings as a drawing of a face. Up close the intensity of the lines that form the pictures look like circuit diagrams, cultures of bacteria or star-maps. There are many star and psychedelic references in the images and titles of this main series of drawings. The second series of drawings are more colourful with outline drawings of faces overlayed on top of one another. Flynn shows a great deal of confidence and skill in the execution of these large images.

I saw a few other exhibitions on my walk around the city but Cultures at Brood Box was the best that I saw that day.


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