The facts: Victorian Police have raided St Kilda’s Linden Centre for Contemporary Arts and removed work by artist, Paul Yore. No charges have been laid. (See The Age and the Port Phillip Leader.)
The artist: Paul Yore is winner of $8000 Wangaratta Contemporary Textile Award 2013. Last year he was exhibited at the NGV’s Atrium at Federation Square. There is an interview with him from last year, along with un-pixelated photographs of his art in Desktop.
The gallery, St Kilda’s Linden Centre for Contemporary Arts, is one of Melbourne’s oldest council funded art galleries with a reputation for quality exhibitions. It is well known for its annual post-card exhibition. I have no doubt that the curatorial team had appropriate warnings (warnings are so commonplace now in exhibitions).
The exhibition, “Like Mike” is a homage to Australian artist Mike Brown.
The curators of the exhibition are Jan Duffy and Geoff Newton. Jan Duffy is an experienced curator as is Geoff Newton who is a well known as the director of Neon Parc gallery. Geoff Newton, from my knowledge of him and his work, is a man who seriously wants to advance art.
It is not clear exactly who the complainants are. The newspapers quote an “Adrian Jackson a Middle Park resident” and “Port Phillip resident Chris Spillane”. Chris Spillane is a Liberal Party candidate for the local council accused of racism. Adrian Jackson is ex-Australian Army, a want-to-be politician who has run as an independent candidate, who was expelled from the Liberal Party in 2003. Given their backgrounds Jackson and Spillane don’t appear to be the usual gallery visitors. (For more on their motivations see my recent post, Political Motivations Behind Police Raid.)
Local Port Phillip City Council members, Councillor Andrew Bond an independent and a former church youth group leader, has called the exhibition “obscene” and compared it to hardcore pornography.
This story is more about the ambitions of certain people involved in local politics creating a controversy to be noticed and the Victorian Police being unable to learn from the experiences of their NSW counterparts with the raids on Bill Henson and Juan Davila’s exhibitions. This is yet another sorry and pathetic part in the story of Australian censorship. (See my 2008 post: More Art Censorship as events are likely to play out in the same way.)
In several of Melbourne’s lanes and alleys there a lot of people were talking about the graffiti. There was usual school group with art teacher in Hosier Lane, a young woman taking photos, and a middle aged man who had seen the ABC documentary on graffiti in Melbourne and had learnt to appreciate what he had previously regarded as rubbish. It is an unlikely scenario; strangers talking to each other about art in a city alley full of rubbish bins but in Melbourne it is common. Even if you can’t read the writing on the wall street art inspires communication, it is a social lubricant, providing a contact point for strangers in the big city.
Isn’t that the whole point of art? – To provide a reason or focus for communication. There is a lot of unofficial communications on the street. The streets will always provide a forum for politics that can’t be censored. Many political groups will use a sticker campaign to get their message on the streets. It is an obvious choice if you fear censorship or reprisals or just hassles.
"Corrupt Cops Killed Carl" sticker in Brunswick
Currently on the streets of Brunswick there is a sticker campaign against the Victorian police. A sticker: “Corrupt Cops Killed Carl” commenting on the death in jail of Melbourne gangster, Carl Williams. There are more stickers on the theme of corruption in the Victorian police scattered around the streets of Brunswick. Another much stranger and bigger political paste-ups on the streets of Brunswick (and Fitzroy and Coburg – how big is this poster campaign?) is advocating considering the alternatives.
"Seek an alternative" poster in Brunswick
Finally in this discussion of the graffiti discourse I must mention the Dunny Art blog. Following in the footsteps of photography Rennie Ellis’s books on Australian graffiti: Australian Graffiti (1971), Australian Graffiti Revisited (1979) and focusing on traditional, pre-aerosol graffiti Dunny Art, photographs graffiti on toilet wall around the world. The comment and reply nature of these ad hoc discussion walls is another forum that can’t be censored.