From the long history of censorship in Australia, it is possible to achieve an accurate understanding of Australian culture as dominated by prudish, thin-skinned, sycophantic, philistines.
Not a single Australian politician has come out to defend Bill Henson, not even those who own art by Henson (they are hoping that they can profit from the increased sales price and the witch hunt). The Federal Arts Minister, Peter Garrett has remained silent on the controversy of arts censorship – censoring himself. (Garrett is not really the Minister for the Arts, rather he is just another one of Rudd’s toadies.) International readers of this blog may not be aware that in Australia there is compulsory voting that censors anyone who does not encourage voters to show a preference for both political parties. (I wonder how Bill Henson will be voting but according to Australian law he will have to support a party that condemns his art.)
A major contributing factor to censorship in Australia is prudish, Christian morality. Prime Minister Kevin Rudd introduced his religious bias quickly into the debate of Bill Henson’s art with his “God forbid” remark. Rudd believes, without evidence, in the idea of the “innocence of children”, introducing Christian dogma to the debate. Christians are not in a good position to throw stones as they frequently expose children to an image of sadomasochistic pornography with a nearly naked man hanging on a cross. [Andy Soutter “The Greatest Porn Star Ever Sold”, Rapid Eye 3 (Creation Books, 1995)]
In 2004, the ACMI was responsible for the censorship an artist’s work that they had commissioned. ACMI then exhibited an altered version of the work against the artist’s consent. The censored work exposed the pornographic sadism in the central Christian icon. And in 1997 there was the vandalism of Andre Serrano’s Piss Christ by a thug with the blessing of then-Archbishop, now Cardinal Pell Pot.
Censorship is also an issue at the 2008 Sydney Writers Festival. Journalism students of University of Technology, produce ‘Festival News” for the Festival. The first edition of the Festival News was censored by the Writers Festival because of references imply that the Minister of the Arts was not popular. The festival claimed that the publication was ‘offensive’ when it was merely critical of the government. This action is similar to the demotion of academic Dr. Paul Mees by the University of Melbourne for criticism of the Victorian Government. This sycophantic aspect of Australian culture is disgusting; it makes it very difficult for critics or intelligent debate and retards civic progress.
The chill effect of the recent censorship of artists self-censoring out of fear will damage the careers of artists in Australia and further retard Australian culture (if there is such a thing). Read about the experience of recently censored Melbourne artist Cecilia Fogelberg in her blog.