+ The public loves yarn bombing.
+ Community festivals love yarn bombing.
+ Craft stores love yarn bombing and support it – Spotlight was promoting yarn bombing groups via Facebook in December 2011.
+ The media love yarn bombing. (Are you starting to worry now?) After years of hating the male dominated graffiti the media view of yarn bombing is completely different. Is it just a gender issue?
+ Yarn bombing reaches the parts that other street art can’t touch. An aerosol artist wants a big wall, a stencil artist or wheat-paster wants a bit of wall but yarn bombers aren’t competing for wall space.
+ Yarn bombing can be seen as a sculptural textile work, using readymade and already installed poles in the street as the support for fabric sculptures, like a street version of the knitted sculptures of Dorathea Tanning or Eva Hesse Hang Up, 1966. Or it can be seen as craft.
+ Anarchic women knitting anywhere they like – it is the end of the civilization as we know it?!? (This instantly brings to mind scenes from the French Revolution of women knitting at the guillotine.) Now that women my age are yarn bombing civilization as we know it is coming to an end.
+ What is connection between yarn bombing and bicycles? Bicycle racks are yarn bombers favourite targets. If you don’t believe me see the post by Art Hunter of SA and Vetti Lives in Northcote’s Yarn Bomb Bicycle. Or is it like Twilight Taggers wrote on Facebook: “Just another thing to cover.”
+ There is no commercial potential in yarn bombing. When it is off the street it is just more craft knitting.