In researching public sculpture in Melbourne I am a little surprised to find orphan pieces; ‘orphan’ are pieces left out of the catalogue or a catalogued items with very little information. It is surprising that something as large as a sculpture is forgotten or lost in the records. But I’m only a little surprised it is not as if there is a catalogue of all the buildings, sculptures, fountains and things that are in Melbourne or any in any other city.
Most of the statues owned by the City of Melbourne come with a brass plaque set into the pavement that states the sculptor, title and date. But this is not the case with privately owned sculpture on public display. Many of these sculptural works were commissioned for private commercial buildings in Melbourne, like or the base relief on 118 Russell Street. The art deco figure of Mercury could indicate that it might have something to do with communications and would help date the piece.
Likewise it is not known who made the many figures on the facades of Melbourne’s buildings, like the Atlas figure on the former Atlas Assurance Building on Collins Street, the Druid on the Druids Building on Swanston Street or the metal motif of a rather skeletal modern merman on the outside wall of the Port Phillip Arcade on Flinders Street.
The rust covered corten steel sculpture out the front of The Domain (1 Albert Street) has been identified as Robert Jacks but there are more works of unknown or unidentified sculptors. Who made the three masted sailing-ship atop the weather vane that was installed c. 1919 at the Mission to Seamen. And who made the “French Fountain” a bronze fountain with granite plinth, from the International Exhibition of 1880 at the east entrance of the Exhibition Buildings?
The stories of these pieces have been lost to history. These orphans need help – if anyone has any additional information on these sculptors could they please comment or contact me (melbourneartcritic at gmail dot com).