Advertisements

Open Entry Art

The Linden Post Card Show 2014 at the Linden Centre for Contemporary Art has hundreds of entries. There are so many entries because it is a long established open entry show. (Did it start in 1986 when the Linden Centre opened?) Open entry means that anyone paying the entry fee of $55 for one work, $66 for two works, $77 for three works is exhibited. All the work must measure 8” (20cm) x 10” (25.5cm) (landscape or portrait) including any frame.

Linden Centre for Contemporary Art

Linden Centre for Contemporary Art

Looking at the entries and thinking why are there so few photographs, given that it is a popular media and the winner was a photograph. The winning entry was from WA artists and 2013 Archibald Prize finalist, Abdul Abdullah. His The Reintroduction of Australian Knighthood is a powerful, frightening and topical image of a masked thug draped in the Australian flag.

I was also thinking why are there so few artists that I recognise? With hundreds of artists on exhibition I started to wonder if I had missed an entry, forgotten a name (I don’t have a great memory for names). The mix of “professional, emerging, amateur or hobbiest” in the exhibition was not the problem because I regularly review that kind of mix of artists. But it did make me think that maybe there needs to be more short hand descriptions for artists, more words than: established emerging, professional, amateur … I mean what do you call an artist who has been around for a couple of decades but is not represented by any gallery and has not won any major prizes?

Linden Post Card Show 2014

Not that a lack of such terms is the biggest problem, the problem of the term ‘art’ is enough of a problem. Sometime in the seventeenth century, as the Enlightenment took the epiphany and mystery out of religion, Art emerged: Art with a capital A, Literature with a capital L and Music with a capital M. Robert Dixon’s The Baumgarten Corruption – From Sense to Nonsense in Art and Philosophy (Pluto Press, 1995) identifies the start of this process with Alexander Baumgarten’s use of the word ‘aesthetics’ in the 1750s. Roberto Calasso in Literature and the Gods (Vintage, 2001) places that start of what he calls “absolute literature” in 1798.

For me, it obvious that there is Art and art and after a walk along the Sunday market at the Esplanade, or even, a look at some of the entries in the Post Card show, you might agree. Oh, look another version of the Redhead brand match box, this time it is made out of bits of tin nailed together.

You might not agree, many people at the both the Post Card show and the Sunday Market clearly did not. The word ‘Art’ is probably more divisive than the image of the ‘Australian Knight’ by Abdul Abdullah.

Advertisements

About Mark Holsworth

Writer, independent researcher and artist, Mark Holsworth is the author of the book Sculptures of Melbourne. View all posts by Mark Holsworth

2 responses to “Open Entry Art

  • Eugene

    Enjoyable blog. I’ve given up on Linden Postcard and the myriad other open entry shows. Little more than fundraising shows. And as you point out, the distinction between art and craft is seemingly negligible at these things.

    • Mark Holsworth

      Thanks for reading. I don’t normally review open entry shows but it is occasionally worth doing just to notice the difference.

What are your thoughts?

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: