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Daily Archives: November 2, 2014

It’s Alive!

Candy Stevens Changing Landscapes at Yarra Sculpture Gallery is an exhibition of living and growing sculptures; rye grass is growing over everything. The sculptures are beautifully tactile, the growing grass creating a fuzzy distortion to their outlines. It is a fun exhibition with amusing ideas and punning titles.

Candy Stevens, "Please Keep Off", 2011

Candy Stevens, “Please Keep Off”, 2011

Landscapes have long been the subject for paintings but until Earth Art in the 1970s it was not a subject for sculptures. In Stevens’s Lambscape the visitor has to navigate the space between 49 cut outs in the shape of sheep-sized hides in order to get to the darkness of her video installation space. In her wall work Ha Ha! there is a reference to ha ha fences, a cunning design that allowed the English upper class to have views of uninterrupted lawns without allowing the sheep and cattle to approach the house. http://en.wikipedia.org/wiki/Ha-ha Crown Land, a great circular crown with a 4.3m diameter, refers both to a crown and to public land. http://en.wikipedia.org/wiki/Crown_land Outside the gallery on a tagged and stencilled wall, Stevens has added her own grass covered bomb, Jonx.

Candy Stevens, Jonx, 2013

Candy Stevens, Jonx, 2013

It is not just growing grass that Stevens is commenting on but also the way that we consume it. In Mother’s Milk a calf, covered in grass, looks in a fridge, also covered in grass, for milk, while her grass covered mother-cow stands nearby. Milk being a type of processed grass.

Candy Stevens, The Conversation, 2014 (with Candy Stevens and Black Mark posing in front)

Candy Stevens, The Conversation, 2014 (with Candy Stevens and Black Mark posing in front)

Candy Stevens told me at the opening of the exhibition that she had finished hanging ten minutes ago, started installing three days ago, started growing the sculptures three weeks ago and has been working on the forms for four years. However, she has been working with grass a medium for sculpture for longer than that. I first saw Stevens work Keep Off the Grass in the Moreland Sculpture Show 2008 and again in MoreArts 2010 where her Rocks of all Ages received a commendation, and again in MoreArts 2011 where her Landscape Gardeners, a grass covered ewe and lamb were stolen (someone so loved her art that they scaled a fence to steal them).

Candy Stevens, “Landscape Gardeners”, 2011

Candy Stevens, “Landscape Gardeners”, 2011

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