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Picasso Who?

Writing about the scandal of the current Picasso Museum in Paris, there are several Picasso museums around Europe, Jonathan Jones raised the question of how relevant Picasso is in contemporary art. (The Guardian “Nightmare at the Picasso Museum” 16/10/2014).

I was considered this question. For me Picasso is definitely overrated, it is not that I dislike Picasso, although mostly I prefer George Braque’s cubist work. Often Picasso’s works look like preserved relics, hastily done and looking aged before their time. Too look at it more objectively turned to my blog. After writing hundreds of post about the visual arts this blog for seven years how often have I referred to Picasso?

Only nineteen times; compare to the number of times that I’ve references to Andy Warhol (16), Salvador Dali (10), Joseph Beuys (6), Nam June Paik (4), Jackson Pollock (3) and Henri Matisse (2). I am biased and there were too many references to Marcel Duchamp, about 75, even as I restrain myself from mentioning him, to compare him to Picasso as Jones suggests.

MaxCat, Brunswick, 2009

MaxCat, Brunswick, 2009

Of the nineteen references to Picasso only twice have I written about seeing the influence of Picasso on an artist: Maxcat and Juan Davila. “Maxcat’s innovative use of lines and the sense of poetry with the bird on the figures head reminded me of Picasso.

There have been two negative remarks about Picasso but only one was by me and that was more about Picasso being overrated in the popular media. Black Mark: “I never want to see another documentary celebrating the life of Leonardo da Vinci, Rembrandt, Van Gogh or Picasso” The other one was from Singaporean artist, Kamal Dollah: “My view is, you can bore these kids with Picasso and Rembrandts.”

Most of the other references to Picasso have been largely because he is an extremely well known artist; one of the references is about a sculpture of him at an apartment building in Singapore. He is mentioned three times regarding his sculptures from recycled material and his collage. There are three more references to the 1986 kidnapping of Picasso’s Weeping Woman from the NGV by the Australian Cultural Terrorists. One reference to a Picasso painting in a gallery’s collection, one reference to his dealer, Daniel-Henry Kahnweiler and one quoting the song by Jonathan Richmond and the Modern Lovers.

In the room the women come and go, talking about Picasso – “What an asshole. Just look at his paintings.”

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About Mark Holsworth

Writer, independent researcher and artist, Mark Holsworth is the author of the book Sculptures of Melbourne. View all posts by Mark Holsworth

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