One of the unique features of Melbourne street art scene is the involvement of “Banksy’s favourite criminologist”, Professor Alison Young.
Every city with a thriving street art scene has street art collectors, like Andrew King and Sandra Powell, or a blogger equivalent to Dean Sunshine (Land of Sunshine) or Facter (Invurt), or a photographer like David Russell, documenting the scene.
A tall, middle age Scottish woman with blond bob, Alison Young does not look like the typical fan of graffiti and street art. I first encountered her at a graffiti forum in an art gallery, probably the way that many people do. Speaking at venues from the National Gallery of Victoria to delivering the keynote lecture at a conference, Philosophy of Street Art: Art in and of the Street at Pratt Institute and New York University in 2016.
Subsequently I subscribed to her blog, Images to Live By and, would then run into her at various graffiti and street art events around Melbourne. Writing her blog was both a way of introducing herself to the street art community as a sympathetic observer and also a way of introducing her thoughts to the same community.
Young has been researching graffiti since 1996. Central to Young’s examination of street art and graffiti is that our response is shaped by the way that we encounter with them. That initial moment where we are assessing what we are seeing based on how we think about where we are because the location is central to graffiti and street art.
Young has written four books on the subject: Judging the Image (2005), Street/ Studio (2010) with Ghostpatrol, Miso, and Timba, Street Art, Public City. Law Crime and the Urban Imagination (2014) for which she was awarded the Penny Pether Award 2015 and, most recently, Street Art World (2016). Not that it is possible to tell where her research ends and the fan of street art begins, complete with a tattoo by Miso.
Alison Young is not the only academic studying street art in Melbourne. There are other academics who are studying street art and graffiti however most are post-graduates and not a Professor of Criminology at Melbourne University. Young’s academic seniority that allows her to be influential in both the street art and academic worlds.
There is an account of Young’s involvement with the City of Melbourne’s graffiti policy in Chapter 6 of her book in Street Art, Public City – Law, Crime and the Urban Imagination (Routledge, 2014). But Young’s influenced Melbourne’s street art in more ways that advising and being ignored on the city’s graffiti policy or the odd appearance as an expert witness in court. Simply by being at live sprays, talking to artists, exploring cities, writing a blog, can have a subtle but important influence. Her sympathetic but sharp and insightful mind is part of the conversation, the discourse of Melbourne’s street art. For example, there is an article about her interactions with Kaff-iene in Articulation, the University of Melbourne Arts Faculty blog. In this way her contribution becomes embedded in the local scene.
See also my review of Young’s Street Art, Public City. Law Crime and the Urban Imagination.