Hosier Lane has changed and will continue to change, it has also stayed the same. The homeless are still in Hosier Lane, seeking shelter around the corner in Rutledge Lane. There are still people doing graffiti in the lane, residents who live in buildings and the workers in the businesses but mostly there are the tourists, local, interstate and international tourists. Hosier Lane is an established part of the Melbourne tourist experience.
From the instigator, Andy Mac moving out of his laneway apartment to draconian anti-graffiti legislation and the threat of installation of CCTV there have been many predictions that the lane would cease to be a successful street art zone. However no-one predicted that the lane would be killed by its own success. What did you expect from street art and graffiti’s aim for mass appeal?
Now many street artists and graffiti writers are complaining that the lane is being destroyed by tourists. There were always tourists who visited the lane but now there are more tour groups and individual tourists than ever before. Tourist attraction are the Kali Yuga, the fourth stage of the world.
There always was developments and building in the lane but now the Culture Kings shop is ripping a hole in the middle. At least we spared it overshadowed by a massive tower, yet another of its predicted demises; Keep Hosier Real.
It has long been an established photo location for bridal, fashion, advertising and selfies but now it is difficult to even walk up it because of the number of cameras pointed across the narrow lane. Every metre there is someone posing for a selfie next to its walls thick with aerosol paint.
Melbourne’s great graffiti location has become crowded with tourists, tour groups all day, every day. There always were tourist in Hosier Lane, often they were on ‘spraycations’, visiting graffiti writers and street artists from around the world had long contributed some of the graffiti in the lane. However, now there is tagging on pieces by people whose handwriting demonstrates that they have no idea of graffiti or its etiquette (do not tag on a piece).
It long ago ceased to be the best place in the city to see street art and graffiti but the tourists don’t care. They are too busy taking photographs of each other in front of its walls. It doesn’t matter that the quality of the painted walls because the focus of their cameras is on the tourist and not the walls. Although it once was sufficient to see Hosier Lane to understand the vibrant scene; seeing or painting in Hosier is no longer necessary for the survival Melbourne’s street art and graffiti.
One obvious benefit that Hosier Lane still provides is that it is an example to every local council and business as to what a success that a graffiti and street art zone can have in the centre of the city. One of the more surprising recent changes is that along with the tourists there is more protest art in the lane, for more on that see my Political Graffiti in 2018. I have been watching and reporting on the development of Hosier Lane for over a decade and I intend to keep on.