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Moreland Summer Show 2018

I feel obliged to take a look at Moreland Summer Show 2018 at the Counihan Gallery because I live in the area, to keep up with what the local artists are doing. However, instead of trying to write about the whole exhibition I will be looking at three of the exhibitors: Wendy Black, Benjamin Sheppard and Yoshi Machida.

Wendy Black Sea Eagle over Tamar

Wendy Black Sea Eagle over Tamar 2017-18

Wendy Black’s Sea Eagle over Tamar is painted with spray paint enamel on board, what would be called a stencil piece on the street. But it is not on the street and Black is not a street artist and it is worth point out the elements that would be unusual on the street to contrast the differing aesthetics. Firstly, it is a landscape a genre rarely used on the street, secondly there are many rough elements, blistered or bubbling paint, evidence of masking tape that would be avoided on the street but give Black’s painting warmth. For more on Wendy Black see my blog post about Courtroom Artists.

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Benjamin Sheppard Sugary Teeth 2018

In Benjamin Sheppard’s Sugary Teeth the missing Steyr AUG, the infantry rifle of the ADF, leaves a blank space amidst the profuse ballpoint pen marks. This blank space illustrates the negative concept of peace, as in the absence of war and conflict. Intense biro work is typical of Sheppard’s work: I’ve been intending to write something about his art ever since his exhibition Le Coq at the Counihan Gallery in Brunswick in 2012. Along with fantastically detailed illustration of cockerels in biro there were abstract passages of intense random lines in his drawings; the division between the abstract art and the illustration has simply ceased to exist in the minds of artist. In MoreArts 2014 he had an installation at Jewell Station involving both newspaper headline displays and a full billboard. For more on Benjamin Sheppard read an interview with him on The Art and The Curious.

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Yoshi Machida Dialogue (First Step for Peace) 2018

The Moreland Summer Show has the usual motherhood statement theme, this year it is “Peace and the Pursuit of Happiness” and Yoshi Machida’s Dialogue (First Step for Peace) presents a kind of buddhist kōan on the theme. Notice that neither the frogs, the cat nor the monk has said anything. I assume that the  monk and the cat aren’t even registered on the frog’s consciousness because they aren’t moving, that the cat wants to kill the frogs and that the monk is considering how to start a dialogue.

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About Mark Holsworth

Writer, independent researcher and artist, Mark Holsworth is the author of the book Sculptures of Melbourne. View all posts by Mark Holsworth

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