I am working on my next book about true crime and visual arts in Australia. (My first book Sculptures of Melbourne of Melbourne was published last year.) This has involved sitting in court, searching archives as well as, my usual activities, looking at art and talking to artists.
Melbourne, like all metropolises has artists, public art galleries, private art galleries, art collectors, art dealers and criminals, everything that is needed for art thefts. Everything that is needed for a lot of other crimes involving art and art involved in crimes.
There are many true stories about the intersection between the worlds of art and crime. I will be writing about the theft of Picasso’s Weeping Woman, of course and also other stories involving art thefts, vandalism of art, vandalism that is art and criminals who do art.
Earlier this year I spent days sitting in the Supreme Court watching the trial of Peter Gant and Aman Siddique for the forging of Brett Whitely paintings. I learnt a lot about courtroom procedures and how Brett Whitely’s paintings are framed.
Both Gant and Siddique have been found guilty by the jury but the judgement for that trial has still not been given, so I can’t finish that chapter just yet. Coincidentally it was one of the last trials to be conducted with a judge in a wig.
A couple of weeks ago I was looking at original documents in the State Library’s Heritage Collection Reading Room. I had heard that they had the sketch book of the bushranger and sculptor, William Stanford. When I investigated I found that there were two books. They were waiting for me on the desk with the pillow on it. The pillow was to cradle the spin of the delicate old books, its cover half falling off, pages coming out. I was surprised that I was not required to wear white gloves to handle them but there was enough grim on the pages already from when Stanford was in Pentridge.
I was not allowed to take photographs of Stanford’s notebooks, nor was I allowed to photograph the tags on Supreme court’s press bench where the crime reporter have cut their names. Not that I am worried as my next book is going to be an unusual book about art, one without many pictures.
Mostly my historical research has involved searching old newspapers scanned on Trove. You would not believe the number of paint brushes stolen in Victoria in the nineteenth century but before mass production made them inexpensive. It wasn’t until the twentieth century that anyone actually stole a painting.
Readers maybe able to help me if they:
- Knew the painter Elliot Bull
- Has any information about Phillip Richmond O’Loughlin of Sydney from around 1946
- Has any information about John Allen Haywood of Victoria from around 1997
- Knew Ivan and Pamela Liberto, Ivan worked as a mechanic in Diamond Creek
- Taught visual arts at any prison in Victoria
- Studied visual arts in prison in Victoria
- Has a criminal conviction for graffiti
- Was a victims of art theft or forgery
- Has been arrested and/or convicted of any crime due to their art practice
- Was a member of the Australian Cultural Terrorists (ACT)
If you want to contact me about this or any other information about art involving crimes or crimes involving art in Australia I can keep your identity confidential.