On Wednesday, the final night at the Basil Sellers Art Prize 2010 two associated awards were presented. Ponch Hawkes won the 2010 Basil Sellers National Sports Museum Creative Arts Fellowship. The fellowship is valued at $50,000 dollars. And Juan Ford for won the $5,000 Yarra Trams People’s Choice Award voted by the visitors to the exhibition.
Unlike The Gaurdian’s art critic, Adrian Searle, who recently wrote about this year’s Turner Prize, I do not prejudge the judges of art prizes. I do not think that it is the art critic’s role to do this (unless they are the appointed judge) any more than it is a crime reporter’s role to judge the case (if they did it would be contempt of court). It is the art critic’s role to explain, examine and comment on the art prizes and awards not to prejudge them.
The novelty of Juan Ford’s series of anamorphic images proved popular with the visitors to the exhibition. The visitors would have been familiar with the use of anamorphic images employed by advertisers in major sporting events – the logos that are designed to be viewed at particular angles. The visitors might have also been comforted by Ford’s familiar reference to sports art history with his anamorphic version of ancient Greek runners. Or, maybe they just enjoyed the theme of running.
The openings of Juan Ford’s exhibitions have always been packed with people – his art is popular. This is not just because of his fine figurative painting technique but because his engages the viewer with anamorphic images that emphasising the viewer’s relationship to the image.
Melbourne photographer Ponch Hawkes has worked with Circus Oz since its inception, the unresolved narratives in her photographs invite the viewer to speculate. So expect to see some of Hawkes dramatic photographs at the National Sports Museum at the Melbourne Cricket Ground. It is good to know that art at the MCG extends beyond the dozen bronze statues of sporting heroes by Louis Laumen.
My congratulations to Juan Ford and Ponch Hawkes.