Tag Archives: Coburg

The City As Art

The buildings in the centre of Melbourne are both familiar and unknown, they seem to change around like something out of the movie, Dark City. Exploring the city has to be a regular activity as there are changes occurring all of the time and a once familiar area transforms.

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The city as a creation, as a great co-operative work of architecture, art and engineering stretching over a vast area and reaching into the sky, a larger concept than a medieval cathedral. The creation, curation and alteration of which is a mix of planning, adapting and neglect.

The city draws you along its streets, wanting to see what is coming around the corner. Each street creates a new scene, one block is totally different from the next.

Underneath the city, the ground level is as constructed on foundations. How deep does it go? The labyrinthine network of tunnels, the subway, the subconscious of all cities. There is a mystery beneath all cities, the mystery of  the labyrinth and at its core the Minotaur.

Too much repetition in a city reminds one that it is also a labyrinth where a Minotaur hunts for sacrificial victims. “Bloody tribute!” says Theseus after tagging the wall with an outline of his hand sprayed by mouth in red ochre, or is it bull’s blood?

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Cities are visually dense; signs and symbols compete for our attention. The accretion of images, of advertising and signs. The many shiny surfaces reflect the many lights further confusing the vision. The visual density of the city has presented a challenge to visual artists for the last two centuries.

Graffiti and street art rise to this challenge by imitating the visual intensity of the city, by being part of and by being framed by the infrastructure of the city. Graffiti tries to fit into this environment by becoming a tag, a personal logo in a world full of corporate logos. Both the graffiti writer and the street artist rectifies the urban environment by adding their designs to the layers of images, personalising the alien, impersonal architecture of the city.

The whole of Melbourne could be seen as an un-curated art gallery for graffiti and street art. Except that there are small semi-curated zones, like… roll the credits… Doyle’s Blender Alley and Lovelands, the area of Fitzroy curated by Shaun Hossack of Juddy Roller, Dean Sunshine’s factories in Brunswick. Gordon Harrison, the City of Melbourne engineer should also get some credit of street art in the CBD. I’m sorry if I have missed anyone.

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MoreArt in Coburg Mall

At one end of the Coburg mall, strung between two trees there was the banner announcing Ben Landau’s Coburg Quest, at the other end stood Dan Goronszy’s large chalk board, The Launching Board on its platform. In between them, the usual crowd of activity in the Coburg mall: tables of people drinking coffee and eating, small children playing and a woman busker singing folk songs with a strong vibrato voice.

Larissa McFarlane, A Ritual of Handstands

Larissa McFarlane, A Ritual of Handstands

Larissa McFarlane, A Ritual of Handstands cane detail

Larissa McFarlane, A Ritual of Handstands cane detail

Some people in the mall also noticed the paste-ups by Larissa McFarlane, A Ritual of Handstands in the walls running off the mall. The paste-up of the walking stick leaning against the wall was particularly popular. An elderly Greek man gestures at it, “Somebody leave this behind?” he says and laughs. Coburg Mall and the laneways around Coburg are generally too far north for the street artists and these paste-ups are also part of MoreArt program for 2015.

The MoreArt program is Moreland City Council’s annual public art show. This year there is a theme “Participation: Real or imagined, conjured and or discovered, a shrine, a monument, a ritual, a tribute, a custom”. There may have been themes in the previous six years but never has it been so clear in the art. The theme makes it clear that this is show is not simply art in public space, nor art for public spaces but that the public actively engages and participates in creating. This opens the program to multidisciplinary artists like Dan Goronszy and Ben Landau.

Ben Landau Coburg Quest

Ben Landau Coburg Quest

Ben Landau’s Coburg Quest required more time and participation than I was willing to devote, with multiple individual tasks and two Sunday afternoons involved in this art/quiz/game.

Dan Goronszy, The Launching Board

Dan Goronszy, The Launching Board

Dan Goronszy’s large chalk board, The Launching Board had the question “What does peace mean to you?” on both sides of the double sided blackboard. Containers for chalk are built into the blackboard. Most people who stopped to look just read the few responses but every now and then someone would write something. A group of men on bicycles arrive in the mall, they stand around and watch as one of them writes: “Stop bombing the **** out of Syria” on the blackboard.

I am involved in MoreArt this year. I am part of a panel discussion on public art along with Geoff Hogg, Louise Lavarack, Dean Sunshine, Laura Phillips and Aiofe Kealy: Making it in Moreland.


Coburg Carnivale – on authenticity and robots

This post about Coburg fades in and out of focus because I am jet lagged but read on and forgive me for my omissions and digressions because this is a local story about authenticity… and robots! There is a robot pushing baby carriage with a baby robot in it…

Robot performer Coburg

… Where am I?

I am in Coburg, the suburb in Melbourne, not the city in Germany. It used to be called Pentridge but that became the name of a prison, so it was changed to Coburg to make it sound more like the British royal family but that’s not important now. What is important to me now is to eat some Lebanese cheese pies and drink fruit juice at the Lebanese bakery overlooking the parking lot. Mulberry juice tastes great, just one of the benefits of living in a neighbourhood with a large Muslim population is that you have a great selection of fruit juice available…

… What is going on in the parking lot and Victoria Mall?

The Coburg Carnivale (sic.) presented by the Coburg Shopping Precinct and Moreland City Council. I always seem to be jet lagged during the Coburg thing or whatever it is called… no, it is definitely called the Coburg Carnivale (sic? Or if it was in italics would that make it all right? Is it important?)

It is also included in the Melbourne Fringe Festival (not a curated festival) to market to the hipsters. The Coburg Carnivale is definitely curated, it has a community, arty vibe to it and none of that carny festival feel. I suppose that the Coburg Shopping Precinct didn’t want anyone honing in on their trade.

Wow! The parking lot at the back of Coles in transformed, there are more people enjoying it than when it is full of cars. It should be a plaza all the time rather than another ugly carpark. Why do Australians believe in the right to free parking and no vehicle emission standards? I’m digressing, focus, focus …

… There is some art work around; public seating, like Callan Morgon’s Switchback deserves serious consideration as social sculpture. More gold is being applied by Alica Bryson-Haynes and Ria Green, see my earlier post about it.

Alica Bryson-Haynes and Ria Green, The Golden Opportunity Shop

Alica Bryson-Haynes and Ria Green, The Golden Opportunity Shop

… What time is it?

Saturday 26 September about 1:15pm, the sun overhead and it is pleasantly warm. Eid Mubarak to all my brothers and sisters of Moslem faith or “Bayramınız mübarek olsun” to my Turkish neighbours; I was reminded of this because I flew on Royal Brunei airlines. It is worth noting this fact because it was conspicuous by its absence at the Coburg Carnivale. I can see why, even though Coburg has many Moslems living here for generations, a mosque and a private Islamic school providing primary and secondary education, it is not something that you would advertise for a festival …

…. Okay if this is Coburg, then why are there so many South Americans around?

You are right. There are a lot of South Americans. It is Mosaik Experiences, a social enterprise providing authentic Latin American cultural experiences. But is that really authentic to Coburg’s population? When is a local festival not a local festival? How to unpack and explain that? The inauthentic authenticity of the festival is beginning to make my head spin as I am still having difficulty with reality due my jet lag…


Same Walls

Moreland Station

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Fear of a Graff Planet - Moreland

Moreland Station Wall

The end wall of the terrace house opposite Moreland Station has been painted for as long as I can remember. It was one of the earliest walls in Coburg painted by OG23 and Askem. It was repainted in 2012  and then again this year. Thanks Arty Graffarti for the attributions.

Brunswick Station

Adnate & Slicer Brunsick Station

AWOL Brunswick Station

There are a couple of walls here that have been painted multiple times. Adnate and Slicer “Nothing Lasts Forever” in 2012 and then Adnate again along with the Dutch writer, Does in 2013. This wall became hotly contested territory and was splashed, bombed and capped into oblivion subsequently streets have been planted in front of it making the wall less visible.

Cyclist and Graffiti

Brunswick Station House

The end wall of the small row house was one of the first legal walls that sported a big piece. Unfortunately I don’t have a photo of the first time it was painted depicting Alice’s encounter with the caterpillar. The first photo is from 2009 by Grace (‘gerd’) and Rags. The second from 2012 times by Lapse and Gers/d. Again, thanks to Arty Graffarti and dannym for all the attribution, they made me aware of how much ‘ownership’ and maintenance of these walls exists by the particular writers.


Colours of Coburg

I was in Coburg going from the library to the deli to do my shopping when I encountered Ria Green and Aliça Bryson-Haynes applying gold leaf to a telephone junction tube. Green and Bryson-Haynes were wearing matching tops in a gold fabric. As well as applying gold leaf to the normally grey utilitarian telephone junction they were also applying gold leaf to other functional and non-functional items along Sydney Road in Coburg. Green and Bryson-Haynes were also conducting a survey about the colours and styles that we wanted to see more of in Coburg.

Ria Green and Aliça Bryson-Haynes, Colours of Coburg

Encountering the object covered in gold leaf made me question if I could remember it before this transformation. I must have walked passed it thousands of times but this was the first time that I actually saw it. The gold leaf was a continuation of Ria Green and Aliça Bryson-Haynes earlier work, Everyday Monument in MoreArts 2014. That time a nineteenth century iron lamp post outside the Brunswick Town Hall is covered in gold leaf.

Ria Green and Aliça Bryson Haynes, Everyday Monument, 2014

Ria Green and Aliça Bryson Haynes, Everyday Monument, 2014

The gold leaf application reminded me of Bianca Faye and Tim Spicer’s Welcome to Cocker Alley. Welcome to Cocker Alley part of the City of Melbourne’s Laneways Commissions 2008 where gold leaf was applied to the external pipes of the Nicholas Building in Cocker Alley. In both urban interventions the gold leaf was applied to remind Melbourne that it was the gateway to the Victorian gold fields. Likewise the shops along Sydney Road grew with the gold rush.

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It was part of Colours of Coburg, “an initiative by”/“collaboration” (?) with the Coburg Traders Association. There was some idea to identify ‘what colour or colours are Coburg?’ but really to create some atmosphere for the trading strip. It appears, from their Facebook page, that the choir that was singing softly in the Victoria Street Mall was also part of Colours of Coburg.

Coburg traders have been trying to create some atmosphere for the shopping strip over fifty years. At least this interactive urban intervention is more tasteful than being the location for Victoria’s first go-go dance marathon, won by 15 year old Sue Grewar in November 1966.


Neighbourhood

On Sunday morning I was painting my new bullnose verandah. Standing on the scaffolding at the front of the house I had a view of my neighbourhood. As I paint I talk with my neighbours as they come and go.

Anstey Village Street Party

Anstey Village Street Party

When I finish with the painting Catherine and I go to a neighbourhood picnic at McCleery Reserve. This was part of Neighbour Day 2015 an annual celebration of community by Relationships Australia. There was a lot of talk about traffic problems on Munroe Street, too many cars and no pedestrian crossing.

Later in the afternoon I went to the Anstey Village Street Party and Zine Fair in Florence Street. For some people Anstey is just another small station on the Upfield Line but for other people it is home. Brunswick is made up of small districts each with their own character and Anstey is its creative heart. It had some of the first legal wall of graffiti (see my posts Coffee with Jamit and Legal Street Art in Brunswick), two art galleries, lots of artist studios in the area and recently, a lot of new multi-storey apartments, (see my post Graffiti at The Commons).

The street party was a strange mix between an art event, like an exhibition opening, a trendy market and a garage sale. Free face painting for adults by kids. There were a few bicycle carts, Soul System providing music and The Good Brew Co. selling some kind of brew.

Be Free on Florence Street Warehouse

Be Free on Florence Street Warehouse

Some of the good citizens of the street art scene, Phoenix and Civil had been at work in Florence Street. The beautifully simple design of the street painting was clearly the work of Civil. I didn’t see Civil but I did talk with Phoenix.

In the Florence Street warehouse space, along with the Zine Fair there was Imprint, a non­-profit student organisation from Melbourne Uni that “develops community ­based projects to drive social change”. The big map of Brunswick had been moved from the Desire Lines exhibition at Brunswick Arts Space (see my post Desire Lines @ Brunswick Arts).

How to be part of the community in the suburbs of a big city? Don’t drive your car, walk or ride a bicycle. Don’t live isolated in your house or in your backyard, but spend more time in your front yard. Talk to people. It is both simple and a very complex cultural problem because it needs to be supported by infrastructure, safe bicycle and pedestrian paths, better urban design along with cultural changes.

At both community events I saw the transport system failing; at the first a car reverse into a roundabout sign and, at Anstey the long neglected railway infrastructure breaking down and causing traffic jams at several intersecting roads. No bicycle or pedestrian fails were observed during my day in the neighbourhood.

A collection of old signs on a fence near the Anstey train station

A collection of old signs on a fence near the Anstey train station


A Hipster Conversion

I love the way that real estate agents describe the city. “In the heart of Brunswick bridal district.” There is a poetry to their succinct phrases flavoured with slight exaggerations. “For Lease, A Hipster Conversion” sign on the factory in Albert Street that previous was the studio of 3 Phase Design. “Ideally suited for cafe/restaurant/brewery” the sign continues, describing the range of larger hipster businesses. Hipster fashion boutiques, coffee shops and barbers would be looking for smaller premises.

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This is not a sign of the apocalypse. I don’t object to the gentrification of a suburb, but I prefer the hipsterfication because it improves cycling and other things. It is interesting that ‘hipster’ has entered real estate agent’s vocabulary. (See my post on Hipsters.) The long term industrial decline in Brunswick and Coburg, two suburbs in the north of Melbourne, left vacant many shops and factory spaces that were used as art galleries and studios.

I thought that the sign would be a good a way of introducing a list of art galleries in the area that no longer exist; I couldn’t list all the artist’s studios in the area, like 3 Phase Design, as that would be a very long list. For the all the local art historians; this is probably not an exhaustive list and corrections and additions are welcome. It does not include all the pop up gallery spaces that had one or two exhibitions nor business, such as cafes or bookshops that exhibit art.

696

696

696, 696 Sydney Road, from 2008 to 2009 street art shop and alternative commercial art gallery that stocked one off artist creations along with spray paints and magazines. It had a small back room exhibition space with bi-weekly exhibitions and events. 696 also had one-night only exhibitions in “the Yard” in the backyard. Toby and Melika went on to establish “Just Another Agency” representing illustrators and organising exhibitions. 696 then became 696 Ink, a tattoo parlour with exhibitions of pop surrealism. Some of the street art the 696 commission can still be seen in the alley way along one side of the shop.

Circus Gallery in North Coburg (2004-2008), a single room shop front gallery that has to be the most northern art gallery ever in Melbourne. It was up the hill from the old Kodak factory in North Coburg amongst a culture of old shops. The shopfront room alternates as a studio space for Andrew May and an exhibition space; a heavy curtain is drawn across the front window to make it a studio. The gallery had the Starving Artist Prize; the cost of entry for the prize was a can of food and the winners received the cans of food.

Eisenberg Gallery – The Victorian Museum of Experimental Art was at 126A Nicholson St. in East Brunswick on the intersection of Nicholson and Harrison streets. It was an artist run initiative that ran for a few years in a former shop space. The small space was not open but visible from the street through the large shop windows. Exhibitions changed regularly but mostly they were seen by the passing drivers stopped at the lights.

Dudespace was an ordinary private suburban house at 22 Cassels Road, Brunswick. Run by Geoff Newton who went on to open Neon Parc in the city. The house would become an art gallery when a t-shirt bearing the word “Dudespace” hung out the front. The exhibitions in a room in the house would only last a day and featured some notable artists including Juan Ford in 2006.

Pan Gallery was a small commercial gallery in the corner of a pottery supply shop specialising in ceramics that closed in 2011. (See my blog post.)

Ocular Lab, 2003-2010 an artist run initiative, meaning “a site for experimental and alternative models of artistic representation and activity that encouraged the development of professional practice” in a converted shop space in Brunswick with an external ‘billboard’ space.

OM Gallery, was well located opposite the Brunswick Town Hall and ran for many years. It was both a photographic studio and rental exhibition space in a converted factory.

Rinaldi Gallery on Victoria St., Brunswick was an attractive single shop front white room gallery with some one-off designer furniture and objet d’art also for sale. It was run by a very tasteful Italian woman for several years and exhibited serious emerging and mid-career artists.


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