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Tag Archives: Collingwood

Friday night @ Off the Kerb

Off the Kerb is a favourite for street artists exhibiting and the exhibitions that opened last Friday night were very much about street art.

Barek

“House of Ghosts” by Barek features both paintings and sculptures of Barek’s whimsical ghosts. A large ghost house model serves as centre-piece for the exhibition, visible from the street through Off the Kerb’s shopfront window. Barek’s ghosts and other characters have a narrative sense but often they seem like the ghost of rabbits frozen in the headlights of the artists vision. Although he has long had a presence on Melbourne’s street’s with his paste-ups Barek is now based in Melbourne after moving from Brisbane.

“Hard Boiled Wonderland & The end of the World” by Akemi Ito and Drasko (who signs his work DB) is an exhibition of stencil art. Akemi Ito looks to Japan for inspiration whereas Drasko looks to America. They also have a different approach to stencil making; Akemi hand-drawn stencils emphasis the line whereas Drasko uses the blocks of colour to create his images. Drasko’s spray painted rubber floor-pieces are both effective and unusual.

“Tinkyville: Land of Folly” by Tinky packs in 30 of her Lilliputian models to one of the upstairs rooms. Her tiny HO scale figures are often oblivious of the larger scale objects that they are set in. The humorous scenes are full of action, their titles adding to the narrative and the joke, like “Sam knew this was going to be his most impressive topiary attempt yet”. Even at this scale Tinky’s work can also be found in Melbourne’s streets; I first saw her work in Presgrave Place.

Mie Nakazawa, Untitled

Mie Nakazawa, Untitled

“Same Same and Different” Mie Nakazawa monoprint line drawn heads; I hesitate to use the word ‘portraits’ because they are all untitled. They looked inspired by the Austrian Expressionist artist, Egon Schiele. Unlike all the other street artists Nakazawa is a Sydney-based contemporary printmaker who has also painted a few murals in Sydney.

Q Bank exhibition with Baby Guerrilla "The Seeker"

There were galleries with exhibitions opening all along Johnston Street on Friday night. There was a group exhibition with work by more of Melbourne’s artists associated with Melbourne’s streets. Be Free, Baby Guerilla, HaHa and Suki amongst almost twenty artists exhibiting at a pop-up exhibition at 178 Johnston Street, as part of the first birthday celebrations for Qbank gallery from Queenstown, Tasmania.

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Out of the Ordinary

“Out of the Ordinary” is a solo exhibition by Phoenix in the front gallery of Off the Kerb. Phoenix is not the ordinary Melbourne street artist who works with paste-ups. Unlike other street artists you don’t instantly get the meaning of his images, you have to work at them. You recognise the ordinary object but then you realise that there is more, something out of the ordinary. Often the message is an environmental awareness like All in One Basket.

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Phoenix, M.C. (Milk Crate) Escher, Anchor Hand and Jumbo Sushi Fish

Phoenix makes his paste-ups using a very technical combination of drawing, photocopies and collage. He uses a photocopier to produce drawings and has been using photocopiers to make art for longer than he has done street art. He used the photocopier to add colour through different colour ink cartridges or coloured paper and especially to enlarge and reduce. Very accurate, detailed drawings, draftsman drawings that are built up by combining different elements or the same element at different sizes, as in his Show of Hands. Always the image incorporates a double spiral as a logo/tag/signature.

He has been working on the streets for about seven years. He is a generous guy who will loan other artists his ladder at painting events, before he’s put up his own paste-up, or volunteer to help at the Sweet Streets festival, which is where I first met him. He has an amazing trolley studio with a ladder and all he needs for working on the street.

This is the first time that I’ve seen Phoenix exhibit in a gallery but I know that he has had exhibited in Sydney before. The works are the same as they are on the street, except that the gallery editions are mounted on jigsaw cut wood rather just pasted on the wall. With the Night Diver, and other pieces there raised elements, like the bolts and other parts.

The masterpiece of the exhibition is his M.C. (Milk Crate) Escher it is truly out of the ordinary.

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Smith and Gertrude Street Galleries

On Thursday I was walking around the galleries around Smith and Gertrude Streets when I saw lots of men in suits out the front of the artist-run-gallery, 69 Smith Street. They were real estate agents packing up from the auction, the old building and small block of land had just sold for $2 million. The gallery was still open with their second last exhibitions; still life paintings by Martin Tighe and a exhibition of graduating regional artists from GOTAFE.

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As an artist-run-gallery 69 Smith Street survived for many years offering some of the cheapest exhibition space in Fitzroy and Collingwood. Consequently there were many exhibitions by students, amateur artists and a few others. Its final years as an organisation was notable only by an ugly year long dispute about who ran the gallery.

Sometimes I wonder what is the value of my practice of going around as many galleries as I can in a day. Sometimes I do this in different locations (Chelsea Gallery Crawl) but most often it the same familiar galleries. What am I doing exploring often the same territory? Why am I bothering with going to some rental space or small ARI?

I am observing the opening and closing of art galleries, the changes in the street, the graffiti and street art? I observe that a few galleries have closed in the area in the last couple of years. Finally I spotted a piece by Utah and Ether, graffiti’s Bonnie and Clyde, that will help with the book I’m writing about art crime.

In the past I used to write regular reports of these walks, I still do them but now I use the exercise to find a particular art work or artist that I am will write about or just for the exercise of the walk.

I have a late lunch at the Beach Burrito Company on Gertrude Street. It is the only Mexican restaurant I’ve seen with an empty in-ground swimming pool, presumably for skateboards. As I eat my tacos I look at my notes:

Backwoods had its end of year stockroom show featuring art by the usual street art suspects including Deams, Shida, Roa, Reka, Twoone, and Lush.

Collingwood Gallery, “Nepo Rab” new paintings by Eric Henshall, a whole series of acrylic paintings on canvas depicting colourful scenes in American bars. Why American bars in Collingwood?

Gertrude Contemporary, there was too much to read at the “Gertrude Studios 2016” exhibitions. Pages and pages of notes for a single art work, more pages for another one, along with a room sheet in 10pt font. What ever it is, contemporary art appears to be a form of literature.

This Is No Fantasy, Neil Haddon, “New Works” are lush paintings that fracturing, in several ways, including between sort of landscapes and silly portraits with two round eyes.

Seventh Gallery, several strong contemporary art exhibitions at this ARI, including an upstairs space (shows how long it has been since I was last at Seventh) where Elizabeth Presa “In Playland” depicts the frozen memory of playtime in plaster. Downstairs in the front gallery Freÿa Black “Umbilicus in Flux” is an impressive, expanding weaving of donated clothing, fabric and yarn that grew during the exhibition.

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Elizabeth Presa, In Playland

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Freÿa Black “Umbilicus in Flux”


Gallery Crawl July

I knew that I would see some art galleries and street art when I went for a walk around Fitzroy and Collingwood. I didn’t have a specific agenda or plan for my walk, there is always something new to see in the area and not just in the galleries.

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Yusk Imai, The Mortal Drama, pearlescent acrylic and marker on canvas

When I started blogging I had a real sense of exploration, I would go looking for new galleries. I yearn for that sense of exploration now but sometimes it feels easier just have to keep doing the rounds of certain galleries and familiar street art locations. Now walking down Flinders Lane or along Gertrude Street seems to be the most efficient way to find an exhibition to review in a blog post.

I was looking for Bside Gallery because I had heard of it so I don’t know how I missed seeing it; I must have been momentarily distracted as I pasted by the shopfront on Brunswick Street. I did end up seeing a gallery that I haven’t visited before, Besser Space.

At Besser Space was “Eve, a photographic exhibition” by Zo Damage of women in rock. Zo Damage claims to be “Melbourne’s busiest music photographer” and she might be; she is half way through her 365 Day Live Music project to photograph a live band a day for an entire year. Not including the hundreds of photos in her 365 Day project there are a lot of black and white photographs in this exhibition, fortunately Besser Space is a large rough warehouse space, perfect for an exhibition of rock photographs.

A dozen surreal paintings by the São Paulo based artist, Yusk Imai hang in his exhibition “The Moratal Drama” at Backwoods Gallery. Imai’s paintings combine painting and drawing with marker pen on canvas. They are a mix of patterns, arty splatters and delicately drafted figures. His surreal forms stand, often on plinths, in the surreal locations of the forest or the empty desert in the rain shadow of the mountains on the horizon, stuck contemplating their absurd but beautiful existence.

Gertrude Contemporary had a group exhibition of its usual contemporary art. I was unlucky with the galleries as many installing new exhibitions, like the CCP and Collingwood, or undergoing major renovations, like Hogan and Kick. Not one of my more successful gallery crawls. On the other hand I did see some interesting things on the street, had a walk in the sunshine and a delicious lunch.


Graffiti Characters

We are talking old school characters, the supporter of the heraldic calligraphy. Graffiti artists draw on many sources from comic books, tattoos art and other illustrators. The reverse is also true and many artists working on the street create comic books, tattoos and other legitimate/paid artwork. The influence of comics and cartoons on traditional hip-hop aerosol art is clear with characters. Although the influences of other sci-fi or fantasy illustration artists cannot be ignored with hyperrealism and overdone shine marks.

Unknown, classic characters, Brunswick 2012

Unknown, classic characters, Brunswick 2012

Unknown, James Brown, Brunswick, 2011

Unknown, James Brown, Brunswick, 2011

Painting characters can be showing off the graffiti writer’s artistic chops or the work of a writer who specialises in characters.

Debs, Rankins Lane 2009

Debs, Rankins Lane 2009

Some graffiti writers, like Dabs and Myla, create their own characters.

Dabs and Mylar, Collingwood, 2010

Dabs and Mylar, Collingwood, 2010

Unknown, Bootsey Collins, Brunswick, 2013

Unknown, Snoop Dogg, Brunswick, 2013

Unknown, Elvira, Brunswick

Unknown, Elvira, Brunswick, 2013

Aside from comic book, other graffiti characters also show other pop culture influences from James Brown to Elvira. The art of movie and other billboard painting looked like it was about to disappear as printing technology improved and became cheaper. In Melbourne Adnate of the AWOL crew and Rone of the Everfresh crew have resurrected the billboard-sized portrait.

Rone in Collins Street, 2014

Rone in Collins Street, 2014

However, I must say that the idea of character design seems limited to me because a character without a world and story is nothing but image. An isolated character often appears meaningless, lost and stationary even if they are frenetic.

Unknown, Collingwood, 2009

Unknown, Collingwood, 2009

Sofles, Fitzroy, 2010

Sofles, Fitzroy, 2010

Once again, if I have failed to attribute a work or I have misattributed a work, please contact me and I will make a correction.

Unknown, Ilham Lane, 2011

Unknown, Ilham Lane, 2011

Unknown, character, Collingwood, 2008

Unknown, character, Collingwood, 2008


Collingwood Gallery Crawl

Who is this beautiful woman decked out in exotic jewellery standing in front of a ceramic skull surrounded by snakes and sea shells? I know that face. The b&w photograph captures her powerful beauty, a mature beauty that admits death. It is Janet Beckhouse photographed by Christopher Köller in an exhibition at Strange Neighbour.

Christopher Köller, Trust, 2008

Christopher Köller, Trust, 2008

On Thursday afternoon I went on a gallery crawl around Fitzroy and Collingwood with Matto Lucas, who writes Melbourne Art Review. We met up at the Centre for Contemporary Photography (CCP). I thought that the main exhibition might tie in various interests that I have about sculpture and photography but it had the least interesting photography exhibition that we saw all afternoon.

As well as Köller’s photographs at Kick Gallery we saw Bon Mott’s powerful and impressive photographs and video of her performance: It Wasn’t the First, it Wasn’t the Last.

At Fehily Contemporary we saw Camille Hannah oil paintings on perspex, Skin Flick, generate a feeling of dynamic glowing beauty. The sense of light is comparable to old master paintings but also owes much to the calligraphic energy of the brushstroke.

We were wandering around galleries more or less at random. I have a mental map of galleries and Matto has his cell phone. There are all kinds of art galleries in the area from shopfront to warehouse conversions, from the institutional CCP to the commercial to small galleries, like Off the Kerb and Little Woods, where drawings dominated.

We were about to walk past Collingwood Gallery, as we had Hogan, when Matto recognised the artist, Magupela. If you just wanted a lively informal colourful painting to hang your house that would give you years of enjoyment without becoming stale then Magupela’s Flight to my dreams would be a good exhibition to see. I write this to raise the question of what do you want from art.

We looked in at the launch of UnMagazine. The last issue of UnMagazine was unreadable, not just because of the text but also bizarre layout on coloured paper. The current issue looks a lot more readable. There were a lot of people at the launch but we didn’t want to sit through a panel discussion as we had started drinking at Mr Fluffy’s at five and now just wanted to continue, so we moved on to the exhibition opening at James Makin Gallery.

At James Makin we discovered the current location of Lindberg Gallery, it is at James Makin. This is the third location that I remember for Lindberg. Now L and M share the building and swap between the larger and smaller gallery spaces. In larger gallery, M this time, there is Fabrizio Biviano’s paintings of matchbooks in a cool painterly pop art style. In the smaller, L this time, Eugenia Raftopoulos’s Feminine Masquerade, a series of paintings of strategies for depicting obscured female faces. Matto pulls out his camera and starts to do his thing for the Melbourne Art Review.

Matto Lucas photographs Eugenia Raftopoulos

Matto Lucas photographs Eugenia Raftopoulos


Street Art Sculpture 5

I walk up Hosier Lane, Hosier Lane no longer has the best street art and graffiti in Melbourne but it has become a traditional place to make your mark, and I finally see what I’ve been looking for a piece of low relief by Discarded. Discarded is a new street art sculptor working around Melbourne, creating lyrical surreal collages from ceramic casts of discarded objects.

Discarded, Hosier Lane, 2015

Discarded, Hosier Lane, 2015

While I was in Hosier Lane I chanced upon another work of street art sculpture, Soul Mates, with a corny, folksy aesthetic.

Unknown, Soul Mates, Hosier Lane, 2015

Unknown, Soul Mates, Hosier Lane, 2015

Every year or so I have posted something about street art sculptures, installations, what ever you want to call them because contemporary three dimensional art is very diverse from performance to traditional materials. This my fifth blog post on the subject, hence the title. I have written about street art sculptures in the final chapter of my book on the public sculptures of Melbourne, for these are public sculptures, even if they are unauthorised. Not that street art sculptures are the final word in public sculpture but they are the most recent new development.

Here are some more photos of street art sculpture that I have seen. Some of these you might have already seen from earlier posts but it is good to bring them all together.

Mutant, Little Lonsdale St, 2015

Mutant, Little Lonsdale St, 2015

A surreal low relief piece by Mutant. I thought that Discarded might be working under another tag but I checked and it is not. Mutant and Discarded appear to be an example of convergent evolution in art.

D*face, Collingwood, c.2011

D*face, Collingwood, c.2011

Old can from D*face when visited Melbourne in 2011

Will Coles, Suitcan, 2015

GT, Suitcan, 2015

New cans by GT.

unknown, Hand on pole, Brunswick c.2014

unknown, Hand on pole, Brunswick c.2014

A hand in Brunswick by an unknown artist. I thought might be by Van Rudd because he has done cast arm on another occasion but he confirmed that it was not his work. If you know who the artist is then please let me know.

unknown, Minuature Door Chealsea NYC, 2013

unknown, Minuature Door Chealsea NYC, 2013

A little door in Chelsea NYC.

See also:

10 Great Street Installation 2014

Street Art Sculpture III 2012

More Street Art Sculpture 2010

Street Art Sculpture 2009

Junky Projects, Presgrave Place, 2014

Daniel Lynch, Junky Projects, Presgrave Place, 2014


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