Advertisements

Tag Archives: graffiti

Buff After Reading – the art of buffing

To ‘buff’ is to paint a wall to remove the graffiti or to prepare it for another piece of graffiti. But sometimes the results of buffing can be strange.

Buffing comes in several styles: colour field, hard edge abstract and more abstract expressionist. Colour fields require the complete buffing of a wall to a single colour. Hard edge abstract art is created by the repeated buffing of parts of a wall in different shades paint. The more abstract expressionist style follows the graffiti covering but not eliminating the form.

Buffing is not the natural enemy of graffiti and is often an ally of street art. People will buff around the stencils and paste-ups to preserve them in Melbourne. People like Baby Gorilla or Be Free enough to avoid destroying them. Then there was the Christian buffing around a crucifix in Coburg. I love it when an artist alters buffing to make something of it.

Altered buffing

Altered buffing, unknown artist, Brunswick, 2011

There were a couple of strange buffing incidents in 2016. Australian artist Scott Marsh was paid to paint over his six-metre-tall mural of Kanye West kissing Kanye West. Reportedly it was Kanye’s management that paid Marsh $100,000 to buff it. Also in 2016, but kind-of the opposite to Marsh’s pay to buff,  when Bologna street artist, Blu buffed everything he ever did to prevent the mayor of Bologna from exploiting it.

Meanwhile, an a fence in Coburg someone fights back against graffiti with paint. As effective a strategy as any but this has now been overgrown with vegetation; if you really want to prevent graffiti vegetation and not buffing is the solution.

bad green buffing

Advertisements

Competitive psychogeography, preliminary rules

Introducing a new competitive form of walking combining a scavenger hunt with aspects of psychogeography. Walks would be scored not on speed but on what the what the walker, sees, photographs and collects on the walk. Judges, or social media, used to award bonus points. These rules still need to be tested, fine tuned and agreed to by a federation of competitive psychogeographers.

DSC06181

Points are awarded for:

Spotting cats, first person to see and say: ‘cat’ wins one point. Photographing and reviewing random cats on Twitter for bonus points. Twitchy bird watchers may not approve but the birds are also trying to spot cats.

Playing cards, collecting found playing cards on walks with the objective is to make a full deck. The highest poker hand collected on the walk wins extra points.

Pavement stars are the junction of five or more divisions in the pavement. Avoid stepping on cracks in the pavement, although there is no penalty point for this.

Paper planes; the beat artist Harry Smith picked up every paper airplane he saw on the streets of Manhattan from 1961 to 1983 and his collection of paper planes is now with the Getty Research Institute.

Bonus points are awarded for:

Classic psychogeographical exercises in imagining new or clandestine uses for buildings. Consider what a building or area could be used for in a movie, here are some examples.

Paintspotting graffiti, street art and ghost-signs; again bonus points awarded for online posting.

Gleaming and foraging for edible weeds, fruit hanging over fences, hard rubbish collecting, dumpster diving and other locally sourced resources. This could be scored by weight, per kilo.

Saying ‘Snap’ when you spot someone with a matching item of clothing etc. to what you or your companions are currently wearing or carrying. I’m not sure how to score this but it should be higher than the single point awarded for simply spotting cats.

These rules are still in development and further suggestions for rules or point scoring are welcomed.


Street Messages

I’ve been looking, photographing and thinking about messages on the street. Not the stencil or paste-up poster messages directed at a mass audience but the individual messages directed at a specific audience or even an individual.

DSC02117

I’m not sure of the accuracy of this claim outside Anstey Station, but it has been at least 20 years of providing a great legal wall.

DSC01951

I am interested in the ethics of graffiti writing and the messages that debate this. Often this is the ethics of what counts in the claim of “I was sitting there first.” Claiming a right to a chair in bar or to occupy a spot by the pool or to paint a wall when such things are a limited resource by virtue of a prior claim of occupancy. Amongst graffiti writers there is a transmission of a code of ethics through an oral tradition, as well as, messages written on walls.

fullsizeoutput_1260

Generally graffiti writers are only interested in communicating with other graffiti writers but occasionally they want to make a point to a wider audience. Messages written on walls, as an adjunct to a piece is the only direct form of communication. This note from Bailer was probably intended for a idiot who often caps pieces in the area.

DSC02108

“No Style” is an irony free cap over a cleanly executed bubble letter style piece by Speds.

DSC01948

Old skool graffiti writers do not respect anyone without good aerosol skills just like the old school conservatives would not read anyone who could write neat copperplate with prefect spelling and grammar.

DSC02072

I don’t want to be a grammar nazi but some people have to, just like some people have to tag. This comment was in reference to a tag with unconventional spelling. (Are you still reading Facter?)


Walk to Giant

Jamit was planning to buy some spray-paint at Giant in North Melbourne and I agreed to walk with him.

DSC02010

Setting up for Tiana Sanjaya to paint with spice in front of State Library of Victoria

We started at the front of the State Library. When I got there I found that there was an Indonesian artist, Tiana Sanjaya was setting up to paint with spices. Tumeric, candlenut, horseradish, mustard seed, nutmeg and chilli; it smelt good. It was part of the AsiaTopa 2017, the Asia-Pacific Triennial of Performing Arts.

On the way we had a look at Blender Lane. Now that Blender Studios has closed I was wonder if the quality of the work in the lane will continue without Doyle being present?

Further to that subject, we also looked at the graffiti and street art in Lovelands, a series of lanes near Victoria Market carpark, near the corner of Queen and Franklin Street. It also has the same questions of redevelopment hanging over it. It doesn’t look like much has changed since I saw Itch painting last year during the Meeting of Styles.

We passed another lane painted during the Meeting of Styles in April 2016 but there is more to see on the streets than just graffiti and street art.

I am not just looking at graffiti and street art; I have other interests, like public sculpture. Outside School No.307 on Queensberry Street I stop to look at a Peter Corlett sculpture of Henry Barstow. Henry Barstow was the architect who designed many state schools. I hadn’t seen the sculpture before but this is not surprising given Corlett’s prolific production creating several figures each year.

fullsizeoutput_136b

Peter Corlett, Henry Barstow, 2011

Finally we reach Giant in North Melbourne. Maybe we should have taken the tram but the walk has been worthwhile. Nth Melbourne is a long thin suburb and its geography of Nth Melbourne is disorientating because the streets are not aligned to the same axis as the grid of Melbourne’s CBD.

You have to be buzzed into the shop. Then there is a room, covered in stickers and aerosol spray paint where we are to leave our backpacks. Then there the room full of spray cans of paint, maker pens, graffiti magazines and more cans of paint, the whole spectrum plus metallics, plus effects…

DSC02046

“Hello Mark” is the first thing that I hear.

At first I can’t see who is speaking because there is a big dude between me and the voice. It is Toby who runs Just Another Agency. Everywhere I go I run into people that I know, a bonus for writing this blog.

Jamit buys about two dozen cans and even though the cans are cheaper by the half dozen he doesn’t walk away with much change from $150.


Upfield Bike Path Graffiti

The Upfield bike path goes through Brunswick and Coburg before running out at the northern end of Fawkner Crematorium and Memorial Park. There has been graffiti along the bike path for decades. It is interesting to observe the urban real politics of competing uses of this stretch of land that is maintained by Moreland City Council.

dsc07991

The city council built the bicycle track on land that is bounded between the train line controlled by VicTrack and the backs of private property.

Private property owners with walls backing on the bike path have been upgrading their property; the old corrugated iron sheds are being replaced with walls of concrete. This has created more and better walls for the graffiti writers extending further north. (See my post on The Commons Graffiti.)

The areas around the tracks controlled by VicTrack are the most neglected. This is not entirely due to utilitarian considerations and derelict railway buildings are allowed to decay without allowing them to be used as surfaces for graffiti.

The graffiti writers were there first, making use of the walls beside the train tracks. Their work has been slowly accumulating until it covers about six kilometres of walls on both sides of the tracks. Sometimes the same graffers will paint the same walls years later.

Then came the bike path and the cyclists and in the last couple of years the guerrilla gardeners.

If you want a way to prevent graffiti, the solution is to plant trees and vegetation in front of the wall. This has worked at Brunswick Station where all the graffiti is more than two years old now due to extensive planting by the “Friends of the Upfield Linear Park”, who have more extensive ideas for the whole area on their website.

Further north along the bike path the graffiti and the guerrilla gardening create a beautiful combination, growing simultaneously along the Upfield bicycle track just north of Moreland Station. Here a back laneway has blossomed, the colour of flowers mixing with the paints. Further enhancing this area is the solar powered lighting built into the fence separating the bike track from the railway. At this point there appears to be a balance between the competing interests but the situation is dynamic.

This slideshow requires JavaScript.

 


Further reading:

I can reveal that Banksy is really Clark Kent, mild mannered reporter for The Daily Planet. My flawed logic is that Clark Kent has a secret identity, Banksy’s identity is a secret and they have never been seen together. Responding to this week’s attempt unmask Banksy read Peter Bengtsen ‘Clickbait: The cash, flaws and ethics of “revealing” Banksy’ in Vandalog.

DSC01548

Notice about Banksy’s ‘Little Diver’ in Cocker Alley

In further academic writing about street art.

Have you ever wondered if an artist is doing street art or graffiti and then thought why not correlate the artist’s Instagram followers and general ‘street art’ and ‘graffiti bombing’ accounts in order to find out.  ‘Audience constructed genre with Instagram: Street art and graffiti’ by Christopher D.F. Honig and Lachlan MacDowall. (First Monday, v.21, no.8, 1 August 2016) Further to this Lachlan MacDowall writes about his research and Lush in ‘Meme wars: Lush Hillary Clinton and graffiti on Instagram’ in The Conversation.

Someone should write an article “How to Talk to your Children About Lush” but not me, I don’t have any children.

DSC01545

Lush’s work in Richmond

The Conversation is a great place for many more articles about graffiti and street art. This includes David Kelly’s important discussion about how the recent rise in homelessness in Melbourne and the use of Hosier Lane: ‘Graf all you want but don’t you dare be poor!’ (I’m sorry I left the link until last but then I couldn’t have used the Banksy hook to get you in.)

DSC01543

Various Artists, Flinders Court, Melbourne


Understanding Graffiti

Some graffiti writers have some strange ideas about who can understand, speak/write, or even properly appreciate the work. The claim that it is anathema for the uninitiated to ‘understand’; that is not only are their explanations wrong but damaging. Street art tours conducted by graffiti or street artists; would you expect all art gallery tours to be conducted by contemporary artists?

DSC04481

R.A.D Grant points out “to claim that a belief can be ‘understood’ only by its believers is to use the term ‘understanding’ somewhat oddly, since understanding is normally thought to follow upon explanation rather than to be precluded or destroyed by it.” (A Companion to Aesthetics, ed. David Cooper, Blackwell, 1992 p.103).

However, the English word ‘understand’ means both to comprehend and to be sympathetic. Can only the empathetic comprehend? For it is empathy and not sympathy that is expected. It is about the magic of initiation and spirit. Part of this is a need to maintain control of what is considered ‘understanding’ in order to maintain their power.

‘Understanding’ is connected to notions the person being ‘true to the spirit’ as Philip Brophy explains in “What is this thing called ‘Disco’” (Art & Text 3, Spring 1981, p.64)

“To perform jazz, blues, rockabilly, soul, power pop, Middle-of-the-Road , etc., is to evoke a specific type of consciousness related to a specific set of meanings inherent to the act of performing the particular music style. There, a notion of ‘truthful’ performers and ‘false’ performers exists, establishing a productive difference between ‘artists’ and ‘charlatans’ – and, it is interesting to note that in the realm of popular culture, the institutions that we call the recording industry can profit from both the ‘artist’ and the ‘charlatan’.”

Likewise the graffiti writer is expected to ‘evoke a specific type of consciousness related to a specific set of meanings inherent to the act’ of doing graffiti.

Here is some old graffiti from Brunswick to look at.

DSC05384.JPG

DSC06412


%d bloggers like this: