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Tag Archives: HaHa

Ten years of Melbourne’s street art and graffiti

Ten years in the history of Melbourne’s street art and graffiti told with a series of artists, crews and events. Rather than another listical of notable street artists this is an attempt at a kind of chronology that points out peaks rather than beginnings and endings. In it there are artists who opened new directions, who could not be ignored, who reinvented themselves or the techniques and the idea of street art and graffiti. There are artists who have persisted along with artists who for a short time made a big impact. It is a list based on my observation of Melbourne’s street art and writing them in this blog.

 

2008: Drew Funk and HaHa

Drew Funk and HaHa are two affable guys, studio mates and friends on the two sides of the aerosol paint use. Drew Funk’s aerosol art and HaHa’s stencil work were once ubiquitous with the Melbourne street art scene.

2009: Ghostpatrol and Miso

The power couple of the emerging illustrative street art scene. Ghostpatrol’s whimsical character illustrations and Miso’s paper cuts were fresh styles and techniques. Neither does any street art now both quickly moving into the fine art and legal murals.

2010: Yarn Wrap and Junky Projects

Both these artists expanded media of street art. Before Bali Portman and Yarn Corner crew there was Yarn Wrap guerrilla knitting. I was sceptical when I first heard about yarn bombing but I was wrong and the technique quickly became a favourite of city councils. Meanwhile, Junky Projects collecting rubbish from the street and transforming it in the most coherent and long term up-cycling project ever.

2011: The Everfresh and the AWOL Crews

The Everfresh crew of Phibs, Rone, Reka, Meggs, Sync, Makatron, Wonderlust, Prizm and the Tooth have been the most significant crew in Melbourne. The AWOL crew of Adnate, Deams, Itch, Li-Hill, Lucy Lucy, Slicer were not far behind and by changing their styles they sprayed their way to more fame.

2012: CDH and Baby Guerrilla

Two ambitious artists who made a big impact but are no longer actively making art on the streets. CDH was the mad scientist of the street art scene; trying out new techniques using fire, hydroactivated paint and creating conundrums for the NGV with his Trojan Petition. At the same time, Baby Guerrilla was reaching for the heavens, trying to fill the largest and highest walls with her floating paste-up figures.

2013: All Your Walls & Empty Nursery Blue

Both projects buffed the walls of Melbourne’s graffiti central to good effect. Adrian Doyle painted the whole of Rutledge Lane blue. And, as a curated part of the NGV’s “Melbourne Now” exhibition, the whole of Hosier Lane was repainted by some of Melbourne’s best graffiti and street artists in All Your Walls.

2014: Rone and Adnate

In 2014 year both artists painted very large legal murals of big faces on big walls. Everfresh crew member Rone painted women’s faces and AWOL crew member Adnate painted Indigenous people.

2015: Kranky and Tinky

Kranky was a crazy explosion of assemblages, then it stopped; maybe the supply of plastic toys ran out. Tinky used even smaller toys to make her little scenes Along with other artists Kranky and Tinky revived the street art in Presgrave Place.

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Lush’s work in Richmond

2016: Lush and Nost

The most irritating assholes in Melbourne’s street art/graffiti scene where there are plenty of irritating assholes. These two guys have made it a speciality. Lush does have a trollish sense of humour but he highlights a problem that is essentially for so much street art, especially murals, they are just click bait. Nost is a tagger, an aerosol bomber who hates street art.

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2017: Astral Nadir

The art Astral Nadir encouraged me to look down at the sidewalk and not up on the walls. With so many walls already painted and the backs of signs covered in stickers Astral Nadir artistically exploring a relatively unused area in Melbourne.

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Friday night @ Off the Kerb

Off the Kerb is a favourite for street artists exhibiting and the exhibitions that opened last Friday night were very much about street art.

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“House of Ghosts” by Barek features both paintings and sculptures of Barek’s whimsical ghosts. A large ghost house model serves as centre-piece for the exhibition, visible from the street through Off the Kerb’s shopfront window. Barek’s ghosts and other characters have a narrative sense but often they seem like the ghost of rabbits frozen in the headlights of the artists vision. Although he has long had a presence on Melbourne’s street’s with his paste-ups Barek is now based in Melbourne after moving from Brisbane.

“Hard Boiled Wonderland & The end of the World” by Akemi Ito and Drasko (who signs his work DB) is an exhibition of stencil art. Akemi Ito looks to Japan for inspiration whereas Drasko looks to America. They also have a different approach to stencil making; Akemi hand-drawn stencils emphasis the line whereas Drasko uses the blocks of colour to create his images. Drasko’s spray painted rubber floor-pieces are both effective and unusual.

“Tinkyville: Land of Folly” by Tinky packs in 30 of her Lilliputian models to one of the upstairs rooms. Her tiny HO scale figures are often oblivious of the larger scale objects that they are set in. The humorous scenes are full of action, their titles adding to the narrative and the joke, like “Sam knew this was going to be his most impressive topiary attempt yet”. Even at this scale Tinky’s work can also be found in Melbourne’s streets; I first saw her work in Presgrave Place.

Mie Nakazawa, Untitled

Mie Nakazawa, Untitled

“Same Same and Different” Mie Nakazawa monoprint line drawn heads; I hesitate to use the word ‘portraits’ because they are all untitled. They looked inspired by the Austrian Expressionist artist, Egon Schiele. Unlike all the other street artists Nakazawa is a Sydney-based contemporary printmaker who has also painted a few murals in Sydney.

Q Bank exhibition with Baby Guerrilla "The Seeker"

There were galleries with exhibitions opening all along Johnston Street on Friday night. There was a group exhibition with work by more of Melbourne’s artists associated with Melbourne’s streets. Be Free, Baby Guerilla, HaHa and Suki amongst almost twenty artists exhibiting at a pop-up exhibition at 178 Johnston Street, as part of the first birthday celebrations for Qbank gallery from Queenstown, Tasmania.


The walls of Irene Warehouse

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Irene Warehouse in Brunswick is a former two-storey lingerie factory that is now an artist-run, not-for profit, studio space and venue. It has been doing it for almost two decades and it is still going. It doesn’t say when it started on its website but I can remember going out there to meet with visiting members of the Indonesian art collective Taring Padi in 2002.

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It was also at Irene Warehouse in the early years of the twenty-first century that several artists, like HaHa and Civil, who would be important to Melbourne’s stencil art street art movement, had their studios.

On its walls science fiction mixed with politics and Norman Guston rubbed shoulders with William Burroughs in the stencils by Civil, HaHa, Ben Howe, and even Stanley. Stanley did stencils before he teamed up with Bonz and became a notorious tagger.

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Like the walls on the street the walls of Irene warehouse had their own anarchic discourse that ranged from the situationalist politics of Civil to the chem trail conspiracy theories of HaHa.


Collingwood, HaHa and the Street

I went to see Regan Tamanui’s (aka HaHa) ‘Residency’ at the House of Bricks in Collingwood. HaHa is amongst the best stencil artists in the world and House of Bricks is one of the funky converted warehouse gallery spaces focused on the street art scene. Why a ‘residency’ was my first question? He explained that was offered the space due to a cancelled exhibition.

HaHa cutting stencils with both hands.

HaHa cutting stencils with both hands.

It is an informal way of working in public. Set up a studio, just a couple of tables and chairs, at the House of Bricks. With the roller doors of the House of Bricks open, Regan is practically working in the street and in public.

On the white wall he was taping up his work for sale at the very affordable price of $60 a piece, so I bought one. He is also offering to do stencil portraits for $100.

Regan is happy to explain and demonstrate his multi-stencil technique or just chat with the people who come in. He said that he has been attracting a fair number of local identities and eccentrics. He told me the best advice was not make eye contact with them otherwise they would talk forever.

There were small stencil studies for future work inspired by recent trips to Singapore, the Northern Territories and Papua New Guinea: orchids, crimson sunbirds, kookaburras, the Devil’s Marbles in the Northern Territories, along with portraits of dogs and people.

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After that I wandered around the area. Regan told me about a large concrete cast spray can in an empty lot behind a chainlink fence a block away. I’m sure that is by Dface when he visited Melbourne in 2011. At the back of the lot against a concrete wall there was also a fake tomb stone, presumably also by Dface, that reads ‘Cheat Death’ (too far away for the zoom on my little camera).

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On my walk I saw Tom Civil’s wooden cut out versions of his figures decorating the wall of the community garden on the corner of Cecil and Gore streets. It is not a big garden just a few planter boxes and benches but it makes a big impact on the street.

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In Easey Street there were these decorated power poles, I didn’t think much of them, they looked a bit ugly, not surprising given the Christmas theme of some of them.

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Also on Easey Street is the graffiti influenced architecture of the End To End building with the three train carriages on its roof. (For more see my post on Graffiti and Architecture.)

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My Top 10 Melbourne Stencils

I’ve been photographing Melbourne’s stencils for almost a decade, I’ve been looking at them for longer. Looking back at all my photos of Melbourne stencils here is my top 10.

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  1. HaHa, Nicky Winmar, The master of multi layered stencils HaHa’s interest in fame and celebrities is at its best with his stencil of St.Kilda footballer, Nicky Winmar’s iconic reaction to racist taunts. What could be more Melbourne than a footballer?Civil - penny farthing - Irene Warehouse
  2. Civil, The Revolution Will Not Be Motorized. Irene Warehouse. This is my nostalgia moment because it was Civil’s stencils that first got me interested in Melbourne’s stencil scene. Civil’s peaceful and entirely civilised anarchic politics is perfectly expressed in this stencil.Kerpy - Flinders St. Station
  3. Kirpy, Flinders Street Station, On the wall of 696, then an urban node for quality work, curated by the Toby and Melieka who ran the gallery/gift shop. A great multi layered stencil of an iconic Melbourne scene.ELK Chimp Jesus
  4. E.L.K. Ecce Homo (observe the man). In this piece E.L.K. is taking the old English tradition of baboonery from the pages of illuminated manuscripts to the street. E.L.K was Canberra based at the time this was done I’m not being picky about where an artist is based in this list. Cocker Alley Banksy Tributes
  5. Sunfigo, Little Diver Redux, In the same location and referencing Banksy’s Little Diver along with many other Melbourne based street artists. This is the ultimate piece of self referencing street art. (In photo, Sunfigo above, Phoenix tribute below.)DSC09008
  6. Calm, Blue Gnu, At All Your Wall in Hosier Lane 2013 before it was covered in tags but then it anticipated all of that.Toys will be Toys
  7. 23rd Key, Toys Will Be Toys, A good stencil and a great reference to both the graffiti insult and Toy Story. Located in the Land of Sunshine, Brunswick.Hanging-boots
  8. Unknown, Hanging Boots, A simple and well-placed elegant still life in Sparks Lane, Melbourne.The Kid Peek-a-boo
  9. Unknown, Peek-A-Boo, Another simple but highly effective stencil because of its placement.This is Shit
  10. Unknown, This is Shit. Sometimes it just has to be said.

Then & Now

“Like seeing gnomes out of the corners of your eyes, stencils appear and disappear in surprising and crafty urban nooks and shadows. Replicating like most good ideas tend to do, Ha-Ha, SYNC and DLUX took their obsessed stencil messages off the streets and into a gallery in 2003. Outing the mythical icons and images in Melbourne advanced the opening of the gates across the world. Ten years later and the shadows part once more into a painted world of imagination, humor, and collaboration.” – Russell Howze (San Francisco), stencilarchive.org & author of Stencil Nation

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“HaHa is an authentic street artist and poet of the city . We have worked together during my trip in Australia in 2009 and it was really great to have meet HaHa and his beautiful stencils. ” – Blek Le Rat

“This site doesn’t normally do announcements about upcoming shows, as you will know if you have visited it before. But sometimes I like to put up information about a show that promises great things or is by artists who are really significant in the scene.” – Alison Young, Images to Live By

“Now & Then” at Second Story Studios in Collingwood has to be the most overhyped exhibition of Melbourne’s stencil art; so many people are praising this exhibition as a landmark before it has even opened.

The best part of the exhibition were the collaborative works that brought the three artists and some of their original stencils, along with some new ones, back together again. These works were nostalgic for those who remember Melbourne’s streets a decade ago. They are a condensed version of what happens on the street. The accretion of stencils rather than a single stencil, the mixing of style that is an essential feature of hip-hop, is what makes these works outstanding – I wish there was more of it on the streets.

It is well over a decade since this Melbourne street art scene started to happen. Late in 2002 Ha-Ha, Sync and DLux first met at the old Blender Studios. In 2003 they had a group exhibition, “Cut It Out” at Hush Hush Gallery in Hosier Lane. No-one was keeping track of exactly what they were doing to begin with because to begin with it was just a bit of fun. Back when the street art started Ha-Ha, Sync and DLux were spraying their stencils everywhere and writing their name up large with rollers on the walls of the abandoned factories around Macauly Station.

A bit over decade later Melbourne’s street art scene has blossomed and become internationally famous. Digital cameras and photo sharing are now ubiquitous and the audacious, punchy appeal of street artists still captivated a still growing audience. New forms have developed, there are more artists, a larger audience, more collectors and more recognition. Ha-Ha is listed in the top fifty street artists in the world.

The artists have also changed in the decade, what was fun has become their life.

DLux has started to paint freehand combining “sunset palette” with “toilet block graffiti” scrawled across it unfortunately his painting technique doesn’t always match these ambitions. Sync has also abandoned stencils to create ordinary and passé abstract paintings; his recreations of his old stencils on scraps of reclaimed wood were selling well at the exhibition.

Only Ha-Ha has kept working and developing his multi-layer stencil technique. He has added to this with the mixing of different faces and now adding “subliminal text” to his images; the words “magic” and “sex” appear in the hair of Ha-Ha’s Marilyn Monroe.

Then and now and the differences are enormous.

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Walls in my ‘hood

Looking around the streets of Brunswick and Coburg and glad to back in the neighborhood after all my recent travels. I try to see some exhibitions and do see some new street art. That’s the thing about street art, it makes the city more dynamic, it is constantly changing and so the familiar bike ride into Brunswick is always changing.

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The car park wall at Sparta Place now has more local indigenous heroes commemorated on it in the “Brunswick Kind” series. Turbo Brown and Florence ‘Dot’ Cheers join Peter “Cocoa” Jackson on the wall.

I could feel the artistic vibe coming off Victoria Street. Comic drawing classes were being held at Squashface Comic Studio and there were life-drawing classes at Art Health Australia. The now old-fashioned looking stencil covered front of Han’s Café.

There is an install at Brunswick Arts Space, White Elephant was empty but Tinning Street Presents.. was open. “Future Clean Up” is a group exhibition by artists involved in a rocking zine scene, hence the art on exhibition graphic and often over-the-top style. Leagues, one of the artists was drawing and gallery sitting. I could tell it was Leagues because of his recognizable style of using drips and eyes.

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Quality fresh aerosol paint now covers the upper part of the lane that Tinning Street Presents is on. Previously the street art had stopped at Tinning Street but now it continues for the whole lane. Is there any where in Melbourne that Lush hasn’t been? I’m in the taxi going home from the airport and the first piece of graffiti that I see is by Lush and here he is again in Coburg.

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After that I spotted some recent HaHa stencils on a Coburg wall. Although some of his stencils are from work in his recent exhibition at Dark Horse Experiment they aren’t attempting to reproduce the multiple layers and multiple images of HaHa recent gallery work. They are old-fashioned stencil like he used to do a decade ago.

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