Tag Archives: HaHa

The walls of Irene Warehouse


Irene Warehouse in Brunswick is a former two-storey lingerie factory that is now an artist-run, not-for profit, studio space and venue. It has been doing it for almost two decades and it is still going. It doesn’t say when it started on its website but I can remember going out there to meet with visiting members of the Indonesian art collective Taring Padi in 2002.


It was also at Irene Warehouse in the early years of the twenty-first century that several artists, like HaHa and Civil, who would be important to Melbourne’s stencil art street art movement, had their studios.

On its walls science fiction mixed with politics and Norman Guston rubbed shoulders with William Burroughs in the stencils by Civil, HaHa, Ben Howe, and even Stanley. Stanley did stencils before he teamed up with Bonz and became a notorious tagger.


Like the walls on the street the walls of Irene warehouse had their own anarchic discourse that ranged from the situationalist politics of Civil to the chem trail conspiracy theories of HaHa.

Collingwood, HaHa and the Street

I went to see Regan Tamanui’s (aka HaHa) ‘Residency’ at the House of Bricks in Collingwood. HaHa is amongst the best stencil artists in the world and House of Bricks is one of the funky converted warehouse gallery spaces focused on the street art scene. Why a ‘residency’ was my first question? He explained that was offered the space due to a cancelled exhibition.

HaHa cutting stencils with both hands.

HaHa cutting stencils with both hands.

It is an informal way of working in public. Set up a studio, just a couple of tables and chairs, at the House of Bricks. With the roller doors of the House of Bricks open, Regan is practically working in the street and in public.

On the white wall he was taping up his work for sale at the very affordable price of $60 a piece, so I bought one. He is also offering to do stencil portraits for $100.

Regan is happy to explain and demonstrate his multi-stencil technique or just chat with the people who come in. He said that he has been attracting a fair number of local identities and eccentrics. He told me the best advice was not make eye contact with them otherwise they would talk forever.

There were small stencil studies for future work inspired by recent trips to Singapore, the Northern Territories and Papua New Guinea: orchids, crimson sunbirds, kookaburras, the Devil’s Marbles in the Northern Territories, along with portraits of dogs and people.


After that I wandered around the area. Regan told me about a large concrete cast spray can in an empty lot behind a chainlink fence a block away. I’m sure that is by Dface when he visited Melbourne in 2011. At the back of the lot against a concrete wall there was also a fake tomb stone, presumably also by Dface, that reads ‘Cheat Death’ (too far away for the zoom on my little camera).


On my walk I saw Tom Civil’s wooden cut out versions of his figures decorating the wall of the community garden on the corner of Cecil and Gore streets. It is not a big garden just a few planter boxes and benches but it makes a big impact on the street.


In Easey Street there were these decorated power poles, I didn’t think much of them, they looked a bit ugly, not surprising given the Christmas theme of some of them.


Also on Easey Street is the graffiti influenced architecture of the End To End building with the three train carriages on its roof. (For more see my post on Graffiti and Architecture.)

End to End building

My Top 10 Melbourne Stencils

I’ve been photographing Melbourne’s stencils for almost a decade, I’ve been looking at them for longer. Looking back at all my photos of Melbourne stencils here is my top 10.

HaHa Nicky Wynmar

  1. HaHa, Nicky Winmar, The master of multi layered stencils HaHa’s interest in fame and celebrities is at its best with his stencil of St.Kilda footballer, Nicky Winmar’s iconic reaction to racist taunts. What could be more Melbourne than a footballer?Civil - penny farthing - Irene Warehouse
  2. Civil, The Revolution Will Not Be Motorized. Irene Warehouse. This is my nostalgia moment because it was Civil’s stencils that first got me interested in Melbourne’s stencil scene. Civil’s peaceful and entirely civilised anarchic politics is perfectly expressed in this stencil.Kerpy - Flinders St. Station
  3. Kirpy, Flinders Street Station, On the wall of 696, then an urban node for quality work, curated by the Toby and Melieka who ran the gallery/gift shop. A great multi layered stencil of an iconic Melbourne scene.ELK Chimp Jesus
  4. E.L.K. Ecce Homo (observe the man). In this piece E.L.K. is taking the old English tradition of baboonery from the pages of illuminated manuscripts to the street. E.L.K was Canberra based at the time this was done I’m not being picky about where an artist is based in this list. Cocker Alley Banksy Tributes
  5. Sunfigo, Little Diver Redux, In the same location and referencing Banksy’s Little Diver along with many other Melbourne based street artists. This is the ultimate piece of self referencing street art. (In photo, Sunfigo above, Phoenix tribute below.)DSC09008
  6. Calm, Blue Gnu, At All Your Wall in Hosier Lane 2013 before it was covered in tags but then it anticipated all of that.Toys will be Toys
  7. 23rd Key, Toys Will Be Toys, A good stencil and a great reference to both the graffiti insult and Toy Story. Located in the Land of Sunshine, Brunswick.Hanging-boots
  8. Unknown, Hanging Boots, A simple and well-placed elegant still life in Sparks Lane, Melbourne.The Kid Peek-a-boo
  9. Unknown, Peek-A-Boo, Another simple but highly effective stencil because of its placement.This is Shit
  10. Unknown, This is Shit. Sometimes it just has to be said.

Then & Now

“Like seeing gnomes out of the corners of your eyes, stencils appear and disappear in surprising and crafty urban nooks and shadows. Replicating like most good ideas tend to do, Ha-Ha, SYNC and DLUX took their obsessed stencil messages off the streets and into a gallery in 2003. Outing the mythical icons and images in Melbourne advanced the opening of the gates across the world. Ten years later and the shadows part once more into a painted world of imagination, humor, and collaboration.” – Russell Howze (San Francisco), stencilarchive.org & author of Stencil Nation


“HaHa is an authentic street artist and poet of the city . We have worked together during my trip in Australia in 2009 and it was really great to have meet HaHa and his beautiful stencils. ” – Blek Le Rat

“This site doesn’t normally do announcements about upcoming shows, as you will know if you have visited it before. But sometimes I like to put up information about a show that promises great things or is by artists who are really significant in the scene.” – Alison Young, Images to Live By

“Now & Then” at Second Story Studios in Collingwood has to be the most overhyped exhibition of Melbourne’s stencil art; so many people are praising this exhibition as a landmark before it has even opened.

The best part of the exhibition were the collaborative works that brought the three artists and some of their original stencils, along with some new ones, back together again. These works were nostalgic for those who remember Melbourne’s streets a decade ago. They are a condensed version of what happens on the street. The accretion of stencils rather than a single stencil, the mixing of style that is an essential feature of hip-hop, is what makes these works outstanding – I wish there was more of it on the streets.

It is well over a decade since this Melbourne street art scene started to happen. Late in 2002 Ha-Ha, Sync and DLux first met at the old Blender Studios. In 2003 they had a group exhibition, “Cut It Out” at Hush Hush Gallery in Hosier Lane. No-one was keeping track of exactly what they were doing to begin with because to begin with it was just a bit of fun. Back when the street art started Ha-Ha, Sync and DLux were spraying their stencils everywhere and writing their name up large with rollers on the walls of the abandoned factories around Macauly Station.

A bit over decade later Melbourne’s street art scene has blossomed and become internationally famous. Digital cameras and photo sharing are now ubiquitous and the audacious, punchy appeal of street artists still captivated a still growing audience. New forms have developed, there are more artists, a larger audience, more collectors and more recognition. Ha-Ha is listed in the top fifty street artists in the world.

The artists have also changed in the decade, what was fun has become their life.

DLux has started to paint freehand combining “sunset palette” with “toilet block graffiti” scrawled across it unfortunately his painting technique doesn’t always match these ambitions. Sync has also abandoned stencils to create ordinary and passé abstract paintings; his recreations of his old stencils on scraps of reclaimed wood were selling well at the exhibition.

Only Ha-Ha has kept working and developing his multi-layer stencil technique. He has added to this with the mixing of different faces and now adding “subliminal text” to his images; the words “magic” and “sex” appear in the hair of Ha-Ha’s Marilyn Monroe.

Then and now and the differences are enormous.


Walls in the ‘Hood

Looking around the streets of Brunswick and Coburg and glad to back in the neighborhood after all my recent travels. I try to see some exhibitions and do see some new street art. That’s the thing about street art, it makes the city more dynamic, it is constantly changing and so the familiar bike ride into Brunswick is always changing.


The car park wall at Sparta Place now has more local indigenous heroes commemorated on it in the “Brunswick Kind” series. Turbo Brown and Florence ‘Dot’ Cheers join Peter “Cocoa” Jackson on the wall.

I could feel the artistic vibe coming off Victoria Street. Comic drawing classes were being held at Squashface Comic Studio and there were life-drawing classes at Art Health Australia. The now old-fashioned looking stencil covered front of Han’s Café.

There is an install at Brunswick Arts Space, White Elephant was empty but Tinning Street Presents.. was open. “Future Clean Up” is a group exhibition by artists involved in a rocking zine scene, hence the art on exhibition graphic and often over-the-top style. Leagues, one of the artists was drawing and gallery sitting. I could tell it was Leagues because of his recognizable style of using drips and eyes.


Quality fresh aerosol paint now covers the upper part of the lane that Tinning Street Presents is on. Previously the street art had stopped at Tinning Street but now it continues for the whole lane. Is there any where in Melbourne that Lush hasn’t been? I’m in the taxi going home from the airport and the first piece of graffiti that I see is by Lush and here he is again in Coburg.


After that I spotted some recent HaHa stencils on a Coburg wall. Although some of his stencils are from work in his recent exhibition at Dark Horse Experiment they aren’t attempting to reproduce the multiple layers and multiple images of HaHa recent gallery work. They are old-fashioned stencil like he used to do a decade ago.


Famous Faces

Aung San Suu Kyi stencil

You haven’t really made it unless your face has been celebrated with an aerosol stencil on the streets of Melbourne. (See my blog post on Portraits of Julian Assange now with even more portraits.)

Famous heroes but not celebrities - Firemen and fire truck by HaHa

Various Face Blender Lane

Rolf Harris - trust spray paints ... sure can

Dame Edna (Barry Humphries)

It helps if you look good in high contrast black and white. Who is this guy?

You know that you are really famous when HaHa does a stencil of you – then it looks like full colour because he uses so many layers of stencils and different densities of spray.

Kurt Cobain & Michael Jackson by HaHa

Various people by HaHa in Stevenson Lane

Chopper Reed by HaHa

The Conspiracy of HaHa and other tales

Conspiracy theories are kind of scary; like when Regan offers to fill a data stick with conspiracy theory stuff the quantity alone is scary. So I unwrapped and read The Conspiracy of HaHa with some trepidation and I was relieved to find that the The Conspiracy of HaHa was more illuminutty than illuminati. A good laugh is better than a good conspiracy. Coincidentally I have been reading Umberto Eco Foucault’s Pendulum (1989) – the ultimate conspiracy theory book (aside from Robert Anton Wilson’s Illuminati series).

“There exists a secret society with branches throughout the world, and its plot is to spread the rumor that a universal plot exists.” (Foucault’s Pendulum p.317)

The Conspiracy of HaHa is an illustrated book by Kieran Mangan and Regan Tamanui (Silent Army, 2011). The comics vary from Kieran Mangan’s multi and single panel cartoons featuring HaHa as the main character to the punk cartoon scribbles by HaHa featuring Braddock as the main character. As each artist takes turns to take the piss out of the other.

The book has a limited print run of only 200 editions as Regan wanted to keep it exclusive. Exclusive or not it is being merchandised with images from the book on t-shirts and badges available at the Blender Artist’s Market on Saturday.

Artist's Market at Blender Lane

Doyle, the manager of Blender and Dark Horse Experiment appears as a cartoon character in The Conspiracy of HaHa as bathos, he is the abrupt appearance of the commonplace. When I last saw Doyle he asked me why I don’t write about Dark Horse Experiment more? Does he think that I’m part of a conspiracy to ignore him – no; he just wants more online exposure. Then he tells me that inspired by suburban dreams of fame is working on his reality TV show and shows me a rough edit on Vimeo. Reality TV makes UFO conspiracies comforting.

I started to think that I had ignored the connection between comics and street art for too long. Sure I’ve seen all the cartoon characters on the walls but I had thought of them as pop references rather than statements of ambitions. So I while I was at the Blender Artist’s Market I bought a copy of the first issue of Dailies (also from Silent Army), a magazine of comics and illustrations by local artists printed on newsprint in tabloid format. I like the old fashioned style of cartoons on newsprint. There are pieces by many notable Melbourne street artists: Heesco, Civil, Shida, Ha-Ha, Baby Guerralla, Psalm, Kieran Mangan… to name but a few. Along with many other Melbourne cartoonists: Bernard Caleo, Jo Waite (to be expected) and Michael Managhetti (surprising as he does performance art).

Meanwhile in the chthonic lair of the Knights Templars…

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