Tag Archives: Hosier Lane

Street Art’s Institutional Phase

On some walls layers of graffiti and street art have been building up for decades. They are like layers of archeology they could be divided up into phases of work on the street. They are not perfect layers of paint, paper and glue. There are plenty of overlap, early isolated examples and the long tails of previous phases mix with subsequent phases. This leaves plenty of room for argument over when one phase started and finished, so all the dates in the next paragraph are vague.

DSC01193

Hosier Lane, Meeting of Styles 2016

A short history of Melbourne’s graffiti/street art would consist of the following phases, each with their own distinct group of artists and media. Starting with the white paint and brushes of the old message, the text based graffiti and sgraffito where the art was in the literary aphorism. Followed by, and concurrent with, the muralists of the 1960s and 70s, a left wing political tradition of public art making. Then came the old school, hip hop aerosol graffiti of the 1980s from bubble letter to wild style. Then street art with peaks of stencils, and subsequent peaks in other media: paste-ups, installations and yarn bombing.

In case you hadn’t noticed, and confirmed by Dr Lachlan MacDonald, street art is now the institutional phase, the “mainstreaming of street art”. In the institutional phase there are established career path for artists, established curators, collectors, major exhibitions and civic interest in street art murals. The very fact that Dr MacDonald, Head of Centre for Cultural Partnerships, Faculty of the VCA and MCM, was talking about this at a Street Art Round Table on the 22/4/16 at Melbourne University is evidence of the institutional phase.

Not that this institutional phase is necessarily bad for the ecology of street art. The archeology of this phase will reveal a layers of better quality paint with more durable pigments as spray paint is now being manufactured to suit the needs of aerosol art. In this phase the wild street art and graffiti is not being buffed to extinction but at times, facilitated or conserved. And unlike any of the other phases, the institutional phase understands the place of street art and graffiti in the urban ecology.

The Street Art Round Table was a one day forum present by Asialink attended by students, academics, street artists, curators, collectors, creative directors, arts managers and civic administrators. It was a series of short talks about a variety of aspects about street art, including a talk about street art’s hipster brother the resurgence of sign writing. I was particularly interested in hearing about street art in Singapore presented by Jasmine Choe from Singapore Youth Arts (see my earlier posts about street art the city state of Singapore). Further proof, if it was needed, of the institutional phase of street art.

DSC01204

Unknown, paste-up cans, Hosier Lane, 2016


Buffing the Buff

In Melbourne’s Hosier Lane two nudes in that Lush painted were censored by the Melbourne City Council. A very unusual occurrence for the city council to buff anything in the tourist attraction zone that is Hosier Lane.

Hosier 2 flip.jpg

Lush, nude #?, 2016 (photo by Dean Sunshine)

Lush must be a real artist because he is painting nudes, yeah right. (That reminds me about when I discovered that there was another use for porn magazines, life drawing.) I don’t think that there are many nudes in the NGV Australia across the road from Hosier Lane, as Dean Sunshine argues in the defence of Lush, but there is the nineteenth century painting of Chloe, an underage nude teenager in Young and Jackson’s upstairs bar, about 200m away in the pub on the corner of Flinders and Swanston Streets.

However, both of these examples are not outdoors in the public and Melbourne City Council applied the same Australian public broadcasting guidelines for nudity in advertising and public places. Basically this meant painting over the nipples and genitals. (If this was a painting of a nude man painting over the genitals would be described as ‘emasculation’.)

The Australian public broadcasting guidelines produce the strange result of become an adjunct to nipple shaming and slut-shaming. Indeed the word ‘slut’ has been written over another Lush’s nudes, this time copy of Kim Kardashian’s nude selfie in Cremorne, Melbourne. The removal and buffing of these nudes is done for basically the same reason that the person who wrote ‘slut’ on Lush’s painting of Kim, to demonstrate society’s disapproval of naked female bodies. (Don’t you feel proud of Australia when its laws and ugly sexists are in agreement? It makes me feel so confident in the reasons and logic behind these laws.)

In all probability Lush is self-indulgently laughing at all this. I like the way that newspapers have decided to call him ‘Lushsux’ after his Instagram/Twitter account.


Hosier Lane in the News

Yesterday I made a brief appearance on the Channel 7 news after Lord Mayor Robert Doyle stirred up the media. It has been a while since multiple news crews were in Hosier Lane and it is a good opportunity to draw attention to one of Melbourne’s attractions. Both Channel 7 and Channel 10 sent crews to cover the story.

DSC00776

Lush in Hosier Lane

Lord Mayor Doyle was playing a similar game to Lush in stirring people up. Lush has been doing a bit of painting in Hosier Lane, poking fun at the scene and himself. Both Doyle and Lush want a reaction and don’t care if it is positive or negative or even if people point out that they are just trying to get a reaction.

Adrian Doyle was keen to promote Blender Lane over Hosier Lane because he manages Blender studio and the Dark Horse Experiment gallery right next door.

DSC00779

Is it all over for street art? I doubt it; I’ve heard that too many times to even be able to write that seriously. I remember Ghostpatrol saying that 2003 was the high point of Melbourne’s street art that was back in 2008 at a panel discussion at Famous When Dead. I’ve written about the end of street art before, considering the political interests involved in declaring Surrealism over.

The long tail is still play out but with population growth this might be sooner than expected. Earlier in the year the removal of love-locks from the Southgate bridges in Melbourne and the Pont de l’Archeveche Paris made the news.  I first noticed a few love-locks when travelling in Europe in 2007 and eight years later their weight was becoming a concern to engineers.

The personal city of romantic strolls by the river is shared with so many other people with similar stories. There are now millions and billions of people and it is hard to get your head around those kind of numbers. The unimaginable mass of the population is such that a trend can become a structural engineering problem in crowd crushes and love locks. If it weren’t for the millions of people following in the footsteps of a few drunken Englishmen to see ancient Rome or Greece then it wouldn’t be a problem if the odd traveller scratched a name on the ancient stone ruins.

Yesterday morning Hosier Lane was not looking its best; there were a couple of fresh pieces and Lush’s piss takes. But writing about how Hosier Lane looking is like commenting on Melbourne’s weather, it is always changing.

DSC00785

GT Instagram spray can, Hosier Lane


Walking and Thinking about Sculpture

Taking advantage of the winter sunshine on Friday I walked around Melbourne thinking about sculpture. I have to plan my sculpture tour for Melbourne’s Writers Week walking around Melbourne looking at sculptures. I am amazed that I am in Melbourne’s Writers Week with my first book, Sculptures of Melbourne.

Kranky, Miss You Frida

Kranky, Miss You Frida

I am doing a few things to promote my book – I’m writing this blog post and pointing out my up coming events, like Melbourne’s Sculpture Walking Tour on Sunday 23rd August and my talk at Brunswick Public Library on Thursday 10th September. For more details see my events page.

I’m glad that I’ve scouted out the walk as there was test drilling along Swanston Walk for the new underground rail line going on. There was temporary fencing around Akio Makigawa’s Time and Tide. The fencing and drilling rig might be gone by the time of the walk but I probably won’t take the tour that far up Swanston Walk.

Walking up Hosier Lane I noticed that there are more street art sculptures. Lots of new mixed media assemblages by Kranky, including a spectacular painted skull and a lot of rats. From Blek to Banksy rats are a traditional theme for street art.

Kranky, Rats

Kranky, Rats

After my walk around the city I noticed that there was a very small retrospective exhibition of Lenton Parr’s sculptures in the foyer of the NGV Australia. Lenton Parr (1924-2003) was born in Coburg and initially studied engineering. Another engineer – I keep writing about  engineers – see my recent post on Skunk Control; several of Melbourne sculptors started studying engineering (Lenton Parr, Clement Meadmore and Anthony Pryor). Parr was a member of the Centre Five, Melbourne’s modern sculpture group but what surprised me about Parr’s modern steel sculptures was the number of titles with classical references: Perseus, Andromeda, Orion… It seemed that even in the early 1980s the classical names still retained an artist aura. Now, classical references, even in the titles of sculptures, are very rare.

Lenton Parr, Orion

Lenton Parr, Orion


Evolving Scene 2015

Hosier Lane continues to subtly change, even though the major development has been stopped by the new government, and the smell of aerosol paint still lingers in the air. Hosier Lane was once part of Melbourne’s garment district and Melbourne’s Communist Party Headquarters was at 3 Hosier Lane from 1936 to 1939. Old school graffiti writers and old lefties, like Jeff Sparrow bemoan the changes but I enjoy the vitality of the lane.

Hosier Lane

Now the sound of a busker is now common in the lane, not surprising given the amount of foot traffic in the area.

You can get a take-away coffee in the lane from Good to Go, a social enterprise cafe providing barista experience to long term unemployed, definitely a good improvement.

Guerrilla gardening has started in the lane; the sticker suggests that it is a project by Signal.

Guerrilla Garden, Hosier Lane

Looking at the art in lane is now like seeing an exhibition opening. It is hard to see the art for all the people, mostly taking photographs.

Hosier Lane must now be the most photographed place in Melbourne, there are so many people with all kinds of cameras taking photographs every day. You can hardly move without stepping in front of someone’s shot. Wedding photographs, selfies, tourist snap shots, videos, creating a hyperreal digital version of the lane for Facebook, Instagram and other social media. Street art is now influence on commercial photography.

Camera stencil

It is not surprising, the lane is spectacular and centrally located and other municipalities in Melbourne are starting to realise the potential for street art as a tourist attraction. This week the City of Yarra is calling for street art tours of the area. The City of Yarra has had this potential for years, I went on a short tour given by Makatron a couple of years ago and back in 2007 the Melbourne Stencil Festival was running booked out tours of Collingwood and Fitzroy.

Makatron Fitzroy

Melbourne’s street art is now part of Australia’s foreign policy. Most recently with notable street artists Adnate, Civil, HaHa, Vexta, Makatron and others painting murals in Singapore for the Australian government to celebrate 50 years of diplomatic relations with Singapore.

All of this is what could be called an organic development; it has not been directed or controlled, it has even and continues to be resisted on some levels. Back in 2008 I would hear street art insiders saying that the scene had peaked years before; what ever they meant by ‘peaked’ maybe just when they and their mates did their best stuff. Melbourne’s street art and graffiti scene continues to change and evolve (I don’t want to write for the better or worse) to take advantage of new walls, spaces, ideas and opportunities.


Street Art Sculptures 6

Discarded

Discarded

Walking up Hosier Lane on probably the last warm day of the year, enjoying the location, admiring the callipygian women in their shorts and watching the people as much as the walls. A busker is playing a guitar; I haven’t seen that many buskers in Hosier Lane even though there always lots of people there.

A man drives his Harley Davidson up steep incline of the bluestone lane to photograph his hog in front of one of the walls. A seriously good looking motorcycle but not a serious photographer using his cell phone. It is always interesting to see how different people use this laneway in Melbourne, a reminder that there are many ways of living life.

unknown, Back in My Day, 2015

unknown, Back in My Day, 2015

I also have an objective in Hosier Lane besides people watching. I am on a mission to collect more photographs of street art sculptures. There is a lot of it about, enough for another blog post. Not only because Will Coles has endowed Melbourne with many new works in a recent visit from his home in Sydney but because there are more street artists doing three dimensional work.

Fee-Rye, monster, 2014

Fee-Rye, monster, 2014

unknown, Mr Flip Flop, 2015

unknown, Mr Flip Flop, 2015

I know about Discarded but I still don’t know about all the new artists, like the Flip Flop artist. Who is doing these great spray cans? GT

unknown, Lunar Park Can, 2015

GT, Lunar Park Can, 2015

Will Coles has a lot of new work around Melbourne. His cast designer purse with the word ‘Fake’ and the designer handbag with the word ‘Consume’ in Hosier Lane are a big hit with the anti-fashionistas. His discarded shoe appears forgotten.

Will Coles, Fake, 2015

Will Coles, Fake, 2015

Will Coles, Consume, 2015

Will Coles, Consume, 2015

Will Coles, Forgot'n, 2015

Will Coles, Forgot’n, 2015

I want to keep up with recent street art sculpture partially what I’ve written in the final chapter of my book, Melbourne’s Sculpture; that street art sculptures are the most recent type of public sculpture. This should not be confused with being the ultimate type of public sculpture, street art sculptures are not about to replace the established types of public sculpture. I also admire the tenacity and ingenuity of anyone who makes a durable sculpture and install it in the street with or without permission.

For more street art sculpture:

Street Art Sculpture 5

10 Great Street Installation 2014

Street Art Sculpture III 2012

More Street Art Sculpture 2010

Street Art Sculpture 2009


Street Art Sculpture 5

I walk up Hosier Lane, Hosier Lane no longer has the best street art and graffiti in Melbourne but it has become a traditional place to make your mark, and I finally see what I’ve been looking for a piece of low relief by Discarded. Discarded is a new street art sculptor working around Melbourne, creating lyrical surreal collages from ceramic casts of discarded objects.

Discarded, Hosier Lane, 2015

Discarded, Hosier Lane, 2015

While I was in Hosier Lane I chanced upon another work of street art sculpture, Soul Mates, with a corny, folksy aesthetic.

Unknown, Soul Mates, Hosier Lane, 2015

Unknown, Soul Mates, Hosier Lane, 2015

Every year or so I have posted something about street art sculptures, installations, what ever you want to call them because contemporary three dimensional art is very diverse from performance to traditional materials. This my fifth blog post on the subject, hence the title. I have written about street art sculptures in the final chapter of my book on the public sculptures of Melbourne, for these are public sculptures, even if they are unauthorised. Not that street art sculptures are the final word in public sculpture but they are the most recent new development.

Here are some more photos of street art sculpture that I have seen. Some of these you might have already seen from earlier posts but it is good to bring them all together.

Mutant, Little Lonsdale St, 2015

Mutant, Little Lonsdale St, 2015

A surreal low relief piece by Mutant. I thought that Discarded might be working under another tag but I checked and it is not. Mutant and Discarded appear to be an example of convergent evolution in art.

D*face, Collingwood, c.2011

D*face, Collingwood, c.2011

Old can from D*face when visited Melbourne in 2011

Will Coles, Suitcan, 2015

GT, Suitcan, 2015

New cans by GT.

unknown, Hand on pole, Brunswick c.2014

unknown, Hand on pole, Brunswick c.2014

A hand in Brunswick by an unknown artist. I thought might be by Van Rudd because he has done cast arm on another occasion but he confirmed that it was not his work. If you know who the artist is then please let me know.

unknown, Minuature Door Chealsea NYC, 2013

unknown, Minuature Door Chealsea NYC, 2013

A little door in Chelsea NYC.

See also:

10 Great Street Installation 2014

Street Art Sculpture III 2012

More Street Art Sculpture 2010

Street Art Sculpture 2009

Junky Projects, Presgrave Place, 2014

Daniel Lynch, Junky Projects, Presgrave Place, 2014


Follow

Get every new post delivered to your Inbox.

Join 1,515 other followers

%d bloggers like this: