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Tag Archives: Lush

Further reading:

I can reveal that Banksy is really Clark Kent, mild mannered reporter for The Daily Planet. My flawed logic is that Clark Kent has a secret identity, Banksy’s identity is a secret and they have never been seen together. Responding to this week’s attempt unmask Banksy read Peter Bengtsen ‘Clickbait: The cash, flaws and ethics of “revealing” Banksy’ in Vandalog.

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Notice about Banksy’s ‘Little Diver’ in Cocker Alley

In further academic writing about street art.

Have you ever wondered if an artist is doing street art or graffiti and then thought why not correlate the artist’s Instagram followers and general ‘street art’ and ‘graffiti bombing’ accounts in order to find out.  ‘Audience constructed genre with Instagram: Street art and graffiti’ by Christopher D.F. Honig and Lachlan MacDowall. (First Monday, v.21, no.8, 1 August 2016) Further to this Lachlan MacDowall writes about his research and Lush in ‘Meme wars: Lush Hillary Clinton and graffiti on Instagram’ in The Conversation.

Someone should write an article “How to Talk to your Children About Lush” but not me, I don’t have any children.

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Lush’s work in Richmond

The Conversation is a great place for many more articles about graffiti and street art. This includes David Kelly’s important discussion about how the recent rise in homelessness in Melbourne and the use of Hosier Lane: ‘Graf all you want but don’t you dare be poor!’ (I’m sorry I left the link until last but then I couldn’t have used the Banksy hook to get you in.)

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Various Artists, Flinders Court, Melbourne

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LOL Street Art

Toys will be Toys

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Chuck Norris Was Here

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B1 Crucified, Brunswick

Jesus paintroller original

God has a plan to kill me

Darth %22Who's Your Daddy%22

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Buffing the Buff

In Melbourne’s Hosier Lane two nudes in that Lush painted were censored by the Melbourne City Council. A very unusual occurrence for the city council to buff anything in the tourist attraction zone that is Hosier Lane.

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Lush, nude #?, 2016 (photo by Dean Sunshine)

Lush must be a real artist because he is painting nudes, yeah right. (That reminds me about when I discovered that there was another use for porn magazines, life drawing.) I don’t think that there are many nudes in the NGV Australia across the road from Hosier Lane, as Dean Sunshine argues in the defence of Lush, but there is the nineteenth century painting of Chloe, an underage nude teenager in Young and Jackson’s upstairs bar, about 200m away in the pub on the corner of Flinders and Swanston Streets.

However, both of these examples are not outdoors in the public and Melbourne City Council applied the same Australian public broadcasting guidelines for nudity in advertising and public places. Basically this meant painting over the nipples and genitals. (If this was a painting of a nude man painting over the genitals would be described as ‘emasculation’.)

The Australian public broadcasting guidelines produce the strange result of become an adjunct to nipple shaming and slut-shaming. Indeed the word ‘slut’ has been written over another Lush’s nudes, this time copy of Kim Kardashian’s nude selfie in Cremorne, Melbourne. The removal and buffing of these nudes is done for basically the same reason that the person who wrote ‘slut’ on Lush’s painting of Kim, to demonstrate society’s disapproval of naked female bodies. (Don’t you feel proud of Australia when its laws and ugly sexists are in agreement? It makes me feel so confident in the reasons and logic behind these laws.)

In all probability Lush is self-indulgently laughing at all this. I like the way that newspapers have decided to call him ‘Lushsux’ after his Instagram/Twitter account.


Recent Walls

Everything in the city is competing to be the spectacle and all that Situationalist shit.

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Lush reading my mind in Hosier Lane

Lush is Melbourne’s piss take king, taking the piss out of street art and graffiti. Lush appears to have made Hosier Lane his own arena for his spray up comedy, ever since he staged his “secret show” there last year. Lush is full of extra confidence because he was the Melbourne street artist chosen by Banksy to exhibit at Dismaland. This is not surprising given that both Lush and Banksy produce easy to read work with a similar sense of humour.

In the visually dense jungle of the city there is an ecology of images. Different styles of street art compete for attention in the streets as they also compete for likes online. La Lune cuts paper and does paste-ups, filling a gap in the aesthetics of the street left by Miso and Suki.

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La Lune, Moreland

Looking at my recent photos I ask myself if there currently a return of the stencils or do I have a selection bias? But it is not just me, a reader sent me a photo of a whole wall of stencils something that I hadn’t seen in six or seven years. Even a new Jamit stencil appearing recently on the street; Jamit claims to the first artist on Melbourne’s streets to have used stencils.

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More recent stencil artists include Luv[Sic] and Mikonik, who are doing some great multi-coloured stencils. Mikonik’s images are all sprayed on jigsaw puzzles.

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Luv[sic]

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Mikonik

There are also plenty of stencils that work just because of their aphorism, the current pop culture references or just because they have the minimalist simplicity of Sunfigo’s stencils.

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Sunfigo


Hosier Lane in the News

Yesterday I made a brief appearance on the Channel 7 news after Lord Mayor Robert Doyle stirred up the media. It has been a while since multiple news crews were in Hosier Lane and it is a good opportunity to draw attention to one of Melbourne’s attractions. Both Channel 7 and Channel 10 sent crews to cover the story.

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Lush in Hosier Lane

Lord Mayor Doyle was playing a similar game to Lush in stirring people up. Lush has been doing a bit of painting in Hosier Lane, poking fun at the scene and himself. Both Doyle and Lush want a reaction and don’t care if it is positive or negative or even if people point out that they are just trying to get a reaction.

Adrian Doyle was keen to promote Blender Lane over Hosier Lane because he manages Blender studio and the Dark Horse Experiment gallery right next door.

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Is it all over for street art? I doubt it; I’ve heard that too many times to even be able to write that seriously. I remember Ghostpatrol saying that 2003 was the high point of Melbourne’s street art that was back in 2008 at a panel discussion at Famous When Dead. I’ve written about the end of street art before, considering the political interests involved in declaring Surrealism over.

The long tail is still play out but with population growth this might be sooner than expected. Earlier in the year the removal of love-locks from the Southgate bridges in Melbourne and the Pont de l’Archeveche Paris made the news.  I first noticed a few love-locks when travelling in Europe in 2007 and eight years later their weight was becoming a concern to engineers.

The personal city of romantic strolls by the river is shared with so many other people with similar stories. There are now millions and billions of people and it is hard to get your head around those kind of numbers. The unimaginable mass of the population is such that a trend can become a structural engineering problem in crowd crushes and love locks. If it weren’t for the millions of people following in the footsteps of a few drunken Englishmen to see ancient Rome or Greece then it wouldn’t be a problem if the odd traveller scratched a name on the ancient stone ruins.

Yesterday morning Hosier Lane was not looking its best; there were a couple of fresh pieces and Lush’s piss takes. But writing about how Hosier Lane looking is like commenting on Melbourne’s weather, it is always changing.

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GT Instagram spray can, Hosier Lane


Street Up

First a few terms:

Fling-ups – shoes or other objects hung on overhead wires by flinging them up. (not to be confused with throw-ups) I have to say that I’ve seen some good one’s recently.

Fling-ups, Windsor

Fling-ups, Windsor

Fling-ups, Collingwood

Fling-ups, Collingwood

Paste-ups – paper printed or drawn pasted up on a wall. Known in North America as wheat-pasting due to the glue used.

Paste-up, Fitzroy

Paste-up, Fitzroy

Throw-ups – A rough outline of a piece in one or two colours, areas not filled in or only filled in roughly. Lush does a lot of throw-ups.

Lush Throw-ups, Brunswick

Lush Throw-ups, Brunswick

Up-Cycling – the downwardly mobile cousin of recycling, up-cycling is decorating discarded objects on the street, like drawing on a discarded lounge chair or mattress.

Kaff-eine up-cycling, Coburg

Kaff-eine up-cycling, Coburg

I could go on in the usual slag dictionary fashion but there is more to this than just new terms; there is an up side to mashing a patois dictionary.

“The words we call expressions of aesthetic judgment play a very complicated role, but a very definite role, in what we call a culture of a period. To describe their use or to describe what you mean by a cultured taste, you have to describe a culture. What we now call a cultured taste perhaps didn’t exist in the Middle Ages. An entirely different game is played in different ages.”

Wittgenstein #25 Lectures and Conversations on Aesthetics, Psychology & Religious Belief (Basil Blackwell, 1966,Oxford) (Alternative from James Taylor: “To describe a set of aesthetic rules fully means really to describe the culture of a period.”)

The word ‘up’ used in these expressions is revealing about graffiti and street art culture. Things are “up” in the street, even pin-up girls, for one-upmanship is its core. The aim of graffiti and street art is to be on the up and up amongst the graffiti and street art community; to be more prolific, to cover more walls, to be more notorious, to get more Facebook ‘Likes’, to do bigger pieces, higher up in the heavens.

Up on a train

Up on a train


Of cats, tourists and graffiti

Cats are a popular theme for Melbourne graffiti artists to agree on, especially when a Coburg cat boarding place gives permission to paint their wall, but cats are a popular theme. (I think the wall is by Slor and Danks, but forgive an old guy trying to read wildstyle.) Cats are a constant internet meme but it is also a graffiti meme, given all the cartoon cats: Felix, Tom, Scratchy… There was a huge wall in Collingwood full of cats in 2009 (also on the wall of a cat boarding place) and one in Prahran (not associated with cat boarding).

Coburg cats - Slor and a bit of Danks

Coburg cats – Slor and a bit of Danks

I’m only posting this because found a few new reasons to wander the streets of Melbourne looking for some new graffiti in the past two months. My LA bro and his family were in Melbourne, so I had to show them Hosier Lane when I showed them around the city. They loved it, lots of selfies taken; my brother said that it was the first time that my niece had got her actual camera out for the whole trip (not counting the camera in her phone).

I’ve never seen Hosier Lane so crowded; there were three tour groups in the lane, plus a lot of other people. I wasn’t surprised at all the tourists in Hosier Lane but I was surprised to spot a group of well dressed people with cameras photographing pieces along the train line at Macauly Station. There are some great pieces but the area is so drek.

Liberty Skull - Footscray

Liberty Skull – Footscray

Footscray wall with another cat

Footscray wall with another cat

I also had a couple of reason to go out to Footscray and there are a lot of good stuff around the train station and shopping strip. Yes, some skulls and more cats. On the subject of the popularity of cats in Melbourne’s graffiti world – there is Lush.

Lush, Brunswick

Lush, Brunswick


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