Tim Sterling’s solo exhibition, “Metamaterials” at Michael Koro Galleries is a post-minimalist exercise in sculpture and drawing. Post-minimalism is like minimalism but with a lot more. Sterling’s sculptures use a lot and lots of paper clips held together with cable ties most impressively a small I-beam (17x73x80cm) supported between two perspex pillars. His drawings are made up of a many, many small marks with a pen, his drawing “Wall” is made up of repeated marker pen marks that form bricks in a wall.
At Mailbox 141 Tasmanian sculptor Ange Leech has a small solo exhibiting “Hand of the Composure”. Leech has carved small wooden puppets and masks along with collages that are pinned together. These collages are subject to alteration like the articulate joints of the puppets.
This time of year there are many exhibitions by graduates of art, design, photography and jewellery courses.
RMIT Diploma of Photoimaging Graduates are exhibiting at First Site (“photoimaging” is a portmanteau word includes both photography and digital imaging technology). The reality that photography once implied has been replaced with fantasy and glamour. There is a lot of fantasy in this exhibition to the extent of visionary art, fashion and glamour model photography.
Box Hill Institute jewellery graduates their work at Guildford Lane Gallery. It is not just rings and necklaces there are wall pieces, cups, spoons, an hourglass of luminous sand and a wizard’s staff with a crystal ball. Some of the jewellery is inspired by Alice in Wonderland themes from a course assignment.
Guildford Lane Gallery is strange place to visit during on a weekday; they obviously don’t get a lot of visitors. It is an old factory/warehouse with a music space/bar on the ground floor. Whenever I go in someone asks if I’m here for some exhibition, I say yes and they tell me that it on the 2nd floor. They then follow me up the stairs to turn on the lights.