“Bruce Armstrong’s name is synonymous with current sculptural practice in Melbourne.” Boasts John Buckley Gallery’s website. There is good reason for this boast Armstrong’s sculpture Eagle (aka “Bunjil”) erected in May 2002 at Bunjilway is now an iconic image of Melbourne. However, Bruce Armstrong is hardly a household name.
Bruce Armstrong was born in Melbourne in 1957 and studied painting and sculpture at the Royal Melbourne Institute of Technology (RMIT). He has sculptures in Melbourne, Sydney, Perth and Canberra. In the 2005 Armstrong was an Archibald Prize finalist with a self-portrait with eagle.
“Bunjil” is not an isolated work Armstrong’s sculptures have been around Melbourne for decades. There are two more of Armstrong’s eagles, “Guardians”, 2009 out the front of the Grand Hyatt Hotel on Russell Street. At Yarra Turning Basin there is a series of angled pillars, Armstrong’s “Constellation”, 1997, made in collaboration with Geoffrey Bartlett. His “Tiger” 1985 is out at Heide Museum of Modern Art.
Armstrong’s two lions beasts (Untitled 1986) once guarded the front of the National Gallery of Victoria but are now out the back in its sculpture garden. When Armstrong’s two lions untitled beasts were out the front I overheard a man and woman from the country who were looking at them. “I reckon I could do that with my chainsaw” the man remarked. I’m sure he could be I doubted that he would make the effort to move such enormous logs and do all the carving.
The muscular nature of the sculpture is part of what makes Armstrong’s work powerful, the monumental physical displays of power. There is an unrefined power to the statues of Bruce Armstrong, the large lumps of materials from which they are carved are still visible. His huge animals are usually carved from native red gum and cypress although the monumental 23-meter tall “Bunjil” is cast aluminium painted white.
Armstrong’s sculptures are totemic, in a Jungian collective unconscious way; it is serendipitous that his Eagle happens to correspond to the sea eagle creator, Bunjil, of the Kulin Nation. His public sculptures work as totemic features along paths or guarding gateways. And because of their monumentality they are treated with a kind of awe.
July 14th, 2013 at 7:49 PM
I used to think the gallery ones were bears.
July 14th, 2013 at 9:03 PM
You might be right, the pose is odd for lions – some kind of guardian animals for the doorway.
August 2nd, 2013 at 11:11 PM
Bears, not lions. Art critic could do a bit of research.
July 15th, 2013 at 12:29 AM
I would love to see them back in their original positions. Loved them in the green garden at Heide too. They are rather forgotten in the sculpture garden.
July 15th, 2013 at 11:12 AM
Yes, they work better in their original position out the front because they are doorway guards.
March 20th, 2014 at 9:42 PM
Was I dreaming this morning or did I hear that Bunjil has been moved to Box Hill at an Aboriginal Health Centre?
March 20th, 2014 at 10:38 PM
There has been talk about moving Bunjil but I hadn’t heard about any new locations and it was still there when I last looked a fortnight ago.
March 22nd, 2014 at 10:45 AM
Thanks. It must be another art work of Bunjil at Box Hill.
August 29th, 2016 at 11:23 PM
[…] is well known for his public sculptures in Melbourne. His Eagle, “Bunjil” is perched over Wurundjeri Way in the Docklands. Its maquette […]